{"title":"Asheville Music Tools","description":"","products":[{"product_id":"asheville-music-tools-adg-1-se","title":"Asheville Music Tools ADG-1 SE","description":"\u003cp class=\"preFade fadeIn\" data-mce-fragment=\"1\"\u003eThe ADG-1 is a special edition of the ADG-1 analog delay. Asheville Music Tools began with a standard ADG-1 and included the following hand-made modifications and additions:\u003c\/p\u003e\r\n\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\r\n\u003cli data-mce-fragment=\"1\"\u003e\r\n\u003cp class=\"preFade fadeIn\" data-mce-fragment=\"1\"\u003eA 3rd high-voltage Xvive™ analog delay bucket has been added, allowing switching between delay times of 16ms-350ms or 50ms-1.055sec (extendable up to 1.35sec with control voltages or expression pedal)\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-mce-fragment=\"1\"\u003e\r\n\u003cp class=\"preFade fadeIn\" data-mce-fragment=\"1\"\u003eThe addition of a TRS insert on the delay loop allowing the patching of effects such as EQ or octave pedals into your delayed signal to successively affect the repeats without changing the dry tone\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-mce-fragment=\"1\"\u003e\r\n\u003cp class=\"preFade fadeIn\" data-mce-fragment=\"1\"\u003ePremium “Guitarry Night” metallic shimmer sparkle finish with a high-durability gloss coating\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-mce-fragment=\"1\"\u003e\r\n\u003cp class=\"preFade fadeIn\" data-mce-fragment=\"1\"\u003eGenuine solid aluminum GØRVA Obelisk knobs\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli data-mce-fragment=\"1\"\u003e\r\n\u003cp class=\"preFade fadeIn\" data-mce-fragment=\"1\"\u003eAdditional side print of our original BBD Bucket firemen.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3 id=\"yui_3_17_2_1_1687338620942_777\" class=\"preFade fadeIn\" data-mce-fragment=\"1\"\u003eTHE SE GOES BEYOND:\u003c\/h3\u003e\r\n\u003cp class=\"sqsrte-large preFade fadeIn\"\u003e\u003cstrong\u003eIncreased Delay Time\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"preFade fadeIn\"\u003ePerhaps the most sought after request in the ADG-1 is added delay time. For the ADG-1 SE Asheville Music Tools added an additional delay bucket for over 1.1 seconds of total delay time with modulation. In addition to the extended delay time, the extra bucket improves delay bandwidth at longer times compared to the standard ADG-1.\u003cbr\u003e\u003cbr\u003eAs the clock time increases in an analog delay, high frequencies are naturally rolled off. On the standard ADG-1 this starts to be prominent at around 500ms and longer. In the ADG-1 SE rolloff begins to occur around 700ms. Therefore, the ADG-1 SE will have noticeably brighter repeats in the 500-700ms range than the standard ADG-1.\u003c\/p\u003e\r\n\u003cp class=\"sqsrte-large preFade fadeIn\"\u003e\u003cstrong\u003eDelay Loop Insert\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"preFade fadeIn\"\u003eBy tapping into the signal path between the delay line and the tone control, the ADG-1 SE offers a way to further alter your delay tone without affecting the dry tone. Many ideas are possible here. You can incorporate simple changes like expanded filtering or phased\/flanged repeats, or you can go wild with fuzz and runaway pitch bending effects. Octave pedals are especially fun: each repeat goes increasingly up or down in octave as they are processed through the delay line again and again. Adding drive or fuzz will lead to extra intense self-oscillation effects.\u003c\/p\u003e\r\n\u003cp class=\"preFade fadeIn\"\u003eUnlike many insert loops, this insert will affect the first repeat and all subsequent ones, exactly as in some of Hawker’s other famous delays. Some delay insert loops skip the first repeat.\u003c\/p\u003e\r\n\u003cp class=\"sqsrte-large preFade fadeIn\"\u003e\u003cstrong\u003ePremium Fit \u0026amp; Finish\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"preFade fadeIn\"\u003eA superior product deserves a superior design. The ADG-1 SE has a premium look befitting its expanded features.\u003c\/p\u003e\r\n\u003cp class=\"preFade fadeIn\"\u003eHawker and the team deliberated over dozens of paint samples and chose an amazing color-shifting chameleon powder coat. This color shifts between blue, teal, purple, and more as the light hits it from various directions. It features a durable hard overcoat that is simply stunning to look at. And finally, Asheville Music Tools added premium solid aluminum GØRVA knobs. These eye-popping enhancements will make your ADG-1 SE the visual as well as the sonic centerpiece of your pedalboard.\u003c\/p\u003e","brand":"Asheville Music Tools","offers":[{"title":"Default Title","offer_id":42506413867188,"sku":"480805","price":929.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/amt-adg1-se.jpg?v=1700929222"},{"product_id":"asheville-music-tools-adg-1-analog-delay","title":"Asheville Music Tools ADG-1 Analog Delay","description":"\u003cp\u003eThe ADG-1 is the latest installment in Hawker’s legacy of highly sought-after analog delay designs. Utilizing a pair of Xvive™ high voltage BBDs, this delay features up to 700ms of harmonically rich, perfectly floating echoes with an extensive and fully analog control set unprecedented for a pedal of its size. From a bright country slapback to washy dotted eight leads to psychedelic modulated odysseys, the ADG-1 is the new standard in compact analog delays.\u003c\/p\u003e\n\u003ch2\u003eTechnical Details\u003c\/h2\u003e\n\u003cp\u003eThe ADG-1 includes over 400 carefully selected components. The entire signal chain utilizes premium audio-grade op amps and high-tolerance, non-microphonic capacitors to guarantee high performance, temperature stability, and low noise.\u003c\/p\u003e\n\u003cp\u003eWe began with a classic delay architecture using a pair of studio grade Xvive™ MN3005 reissue Bucket Brigade Devices (BBDs) and a high voltage step-up power supply for maximum headroom. We implemented a tightly calibrated vintage-style compander and incredibly deep, discrete transistor, 5th-order anti-aliasing and reconstruction filters to provide a familiar character with superior clarity, noise reduction and dynamic feel. Our feedback circuit uses a voltage-controlled transconductance amplifier, which provides Hawker’s classic feedback tone while offering the most accurate method for dialing in infinite repeats without runaway or for achieving total feedback overload.\u003c\/p\u003e\n\u003cp\u003eThe input preamplifier is critical to the sound of any analog effect. A discrete, high impedance, JFET input stage provides consistent operation across all sound sources and can be used as an always-on buffer. The preamplifier and drive circuit can be used to overdrive the delay line and mixer section for unique artifacts and character that only an analog delay can provide.\u003c\/p\u003e\n\u003cp\u003eWe spared no opportunity for flexible control while maintaining a completely analog circuit. The clock generation, modulation oscillator, and even the switching logic are all fully analog in nature. Our clock VCO, with temperature compensated exponentiator, drives the BBDs at extremely high current to eliminate artifacts and provide for a clearer sound. An assignable Expression\/CV input expands the flexibility to the limits of user creativity: use an expression pedal to warp the delay time, swell in self-oscillating feedback, or add a modulated vibrato flourish in real time.\u003c\/p\u003e\n\u003cp\u003eAn effect of this complexity depends entirely on its power supply and input protection. We took every measure possible to eliminate sources of noise and radio frequency interference (RFI\/EMI), as well as protect from electrostatic discharge (ESD) spikes to ensure carefree operation in any studio or performance environment. Our step-up high voltage power supply operates in the MHz range, well beyond the audio band and most other pedals. All voltage sources are highly filtered to eliminate noise and crosstalk between the BBD clock, LFO, and other sections with a multi layer PCB utilizing dedicated split power and ground planes. The power input is fully protected from reverse polarity and over-voltage conditions.\u003c\/p\u003e\n\u003ch2\u003eKey Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e100% Analog signal path\u003c\/li\u003e\n\u003cli\u003eSwitchable true bypass or JFET-buffered bypass with switchable trails\u003c\/li\u003e\n\u003cli\u003ePower: 9VDC @ \u0026lt;150mA (85mA Nominal, up to 250mA start up.)\u003c\/li\u003e\n\u003cli\u003eExpression \/ CV input assignable to Time, Feedback, Mod Amount, or Mod Rate (CV range is 0-5V). Ring supplied current limited 5V.\u003c\/li\u003e\n\u003cli\u003eDelay time:\n\u003cul\u003e\n\u003cli\u003e35-700ms in dual BBD mode\u003c\/li\u003e\n\u003cli\u003e16-350ms in single BBD mode\u003c\/li\u003e\n\u003cli\u003e27-900ms (or 13-450ms) with external CV control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eInput impedance: \u0026gt;1MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 1KΩ Max\u003c\/li\u003e\n\u003cli\u003eMax input level: +15dBu (4.3V RMS)\u003c\/li\u003e\n\u003cli\u003eMax output level: +14dBu (3.9V RMS)\u003c\/li\u003e\n\u003cli\u003eMaximum drive: \u0026gt;22dB (covers attenuation to gain)\u003c\/li\u003e\n\u003cli\u003eNoise Reduction: 2:1 broadband with 12dB HF emphasis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Asheville Music Tools","offers":[{"title":"Default Title","offer_id":43893489172660,"sku":"480834","price":639.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/asheville-adg1.jpg?v=1744175146"},{"product_id":"asheville-music-tools-acv-1-time-warper","title":"Asheville Music Tools ACV-1 Time Warper","description":"\u003cp\u003eThe Analoger™ Series ACV-1 chorus\/vibrato\/slapback is the latest creation in our series of 100% analog effects. The ACV-1 consists of a modulated BBD delay line with a flexible supporting cast of synthesizer-inspired controls. On the surface, the ACV-1 is simply a highly tweakable classic chorus. In reality, it is a veritable powerhouse of time warping modulation effects: shimmering comb filter swirls, luscious true pitch vibrato, glitchy textures, ringing metallic pipe tones, and even a faux reverb.\u003c\/p\u003e\n\u003cp\u003eThis astounding analog modulator was engineered by Hawker to deliver the ultimate time warping experience. With a bit of a mind flip, you’ll be into the time slip—and nothing will ever be the same!\u003c\/p\u003e\n\u003ch2\u003eWhat makes the ACV-1 special?\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eAt the heart of every chorus is a short delay whose time is modulated by a low frequency oscillator (LFO). The ACV-1 uses a 1024-stage X-Vive™ high-voltage MN3007 BBD chip for its delay line. Mixing that delay back in with the original signal produces the familiar, lush sound of chorused voices in unison.\u003c\/p\u003e\n\u003cp\u003eMany choruses keep the delay time fixed, but our Time knob lets you warp through the decades of chorus. Start in the middle for a tight 70’s-style chorus. Go longer for a drippy 80’s chorus and a warm slap delay, or go shorter for flanging tones.\u003c\/p\u003e\n\u003cp\u003eAnother uncommon addition is our Feedback knob with phase options. This lets you deepen the chorus effect and explore more exotic metallic or vocal sounds. At high feedback settings you can use the Time knob to dial in peaks and notches for resonant sounds, like a pipe or a bell. The Tone control changes the frequency response of the feedback loop to make your chorus more shimmery, or more dark and haunting. Utilizing the phase switch you can produce hollow, deep vocal sounds akin to a talk box.\u003c\/p\u003e\n\u003cp\u003eOur LFO includes multiple waveforms: triangle for classic chorus sounds, sine for gooey vibrato, and square wave for rhythmic glitches and pitch jumps. The Rate and Amount controls have a huge range from subtle dimension to complete time warping madness. Or you can zero out the LFO to explore double-tracking effects, static comb filtering, and short delay.\u003c\/p\u003e\n\u003cp\u003eThe Mix control has a range from fully off to 100% wet, which lets you dial in subtle sounds or go all-in for true analog pitch vibrato. These settings are great for Leslie organ sounds or tape-like warble. The Tone control is even more useful here, as a way to sculpt the overall tone of your wet signal.\u003c\/p\u003e\n\u003cp\u003eFinally, the CV jack rewards more intrepid sonic explorers with an even wider range of control. Increase the feedback into self-oscillation, push the LFO beyond its limit to audio rates, or drop the delay time into a lo-fi, ring-modulated soundscape. \u003c\/p\u003e\n\u003cp\u003eWith its thoroughly engineered set of features, the ACV-1 synthesizes decades of time warping modulation effects to inspire a whole new dimension of sounds.\u003c\/p\u003e\n\u003ch2\u003eKey Features:\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType:100% Analog signal and control path\u003c\/li\u003e\n\u003cli\u003eBypass Footswitch:effect on\/off user selectable True Bypass or JFET Buffered (Accessible by removing ACV-1 Cover)\u003c\/li\u003e\n\u003cli\u003ePower: 9VDC @ \u0026lt;150mA. 70-90mA typical. Up to 250mA start up. Standard pedal center negative 2.1mm x 5.5mm barrel.\u003c\/li\u003e\n\u003cli\u003eDelay Time:  3.1ms - 59ms. 1.9ms - 95ms with LFO and to 155ms with external CV\u003c\/li\u003e\n\u003cli\u003eFeedback: 0 to near infinite. Capable of self-oscillation using tone or EXP\/CV input coupled with knob position.\u003c\/li\u003e\n\u003cli\u003eRate: LFO RATE, from 0.1Hz to 14Hz (28Hz with CV control)\u003c\/li\u003e\n\u003cli\u003eAmount:LFO depth control from OFF to 60% of TIME sweep\u003c\/li\u003e\n\u003cli\u003eMix: Center 50%. Adjust from full wet to full dry\u003c\/li\u003e\n\u003cli\u003eTone: ~740Hz center tilt filter. Center = Flat to 0.3dB\u003c\/li\u003e\n\u003cli\u003eHigh +5dB to -10dB, Low +4dB to -7dB.\u003c\/li\u003e\n\u003cli\u003ePhase Switch: 180° phase shift of wet signal and feedback signal.\u003c\/li\u003e\n\u003cli\u003eLFO: Selectable Triangle, Sine or slewed Square wave\u003c\/li\u003e\n\u003cli\u003eExpression Switch: 4 position rotary selects Time, Feedback, Rate or Amount external control. All controls are additive to the front panel knob adding extended range. TRS jack usable with CV or Expression pedal, (CV range is 0-5V). Ring supplied current limited 5V output. Control input on Tip.\u003c\/li\u003e\n\u003cli\u003eInput impedance: \u0026gt;1MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 1KΩ Max (5k max for buffered bypass)\u003c\/li\u003e\n\u003cli\u003eMax input level: +14.25dBµ (4.0V RMS)\u003c\/li\u003e\n\u003cli\u003eMax output level: +14dBµ (3.9V RMS)\u003c\/li\u003e\n\u003cli\u003eNoise Reduction:2:1 broadband with 10dB HF emphasis\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Asheville Music Tools","offers":[{"title":"Default Title","offer_id":43893493399732,"sku":"480835","price":609.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/asheville-acv1.jpg?v=1744165574"},{"product_id":"asheville-music-tools-afg-1-dynamic-flanger","title":"Asheville Music Tools AFG-1 Dynamic Flanger","description":"\u003cp\u003eThe Analoger™ Series AFG-1 is a 100% analog dynamic flanger with some unique differentiating features. Its lush swirls, vocal comb filter sweeps, and metallic flourishes can be controlled with the on-board LFO, or articulated by your playing dynamics with our bi-directional, multi response envelope follower. By drawing from synthesizer-style architectures and elements of beloved vintage rack effects, Hawker has designed this modulator from the ground up to go where no classic flanger has gone before.\u003c\/p\u003e\n\u003cp\u003eThe AFG-1 flanger architecture uses a 256-stage MN3009 high-voltage BBD chip powered by an internal 15V power supply, to create an extremely short delay in the audio range of time. Adding this delayed signal back into the original signal forms a series of peaks and notches as harmonically related frequencies that constructively and destructively interfere. This is known as a comb filter. By moving this comb filter up and down over time, the AFG-1 creates the sound we know and love as flanging.\u003c\/p\u003e\n\u003cp\u003eThe AFG-1 includes all the features one expects from a flanger. Use the onboard LFO for impossibly slow whooshes or fast warbles. Our LFO has a true sine wave shape and a synthesizer-style exponential converter for a smooth, musical sweep over several octaves of delay time. This ensures the modulation is pitch symmetrical rather than Hz symmetrical. The Freq control behaves similarly to the Manual control on a typical flanger and sets the center point of the LFO to dial in the perfect sweep range. The VCA controlled Feedback routes the delayed signal back upon itself to enhance the intensity of the comb filter or create oscillating tuned pitches at maximum settings. And finally, the Drive control adds rich saturation with increasingly sculpted tone and harmonics to add to the flanger sound.\u003c\/p\u003e\n\u003cp\u003eWhat truly sets the AFG-1 apart is the Envelope control. This is very rarely found in pedal format flangers and hearkens back to classic “whooshless” rackmount flangers of the 70s. Featuring both positive and negative control and three different attack\/release settings, the envelope detector allows you to animate the peaks of the comb filter entirely with your playing dynamics. From a practical standpoint this means the flanger modulation stays out of the way and does not make the sometimes undesired background whoosh during quiet passages or when not playing. Moderate settings add mild tonal emphasis or harmonic-enhancing shimmers. At higher settings you can dial in gorgeous sweeps, surprisingly funky vocal filter throbs, lo-fi aliasing, or robotic chaos — all controlled by your playing.\u003c\/p\u003e\n\u003cp\u003eIn addition, we have included a unique three-position phase toggle switch to set the relative phase of the delay and feedback signals, which changes the texture of the comb filter. Airplane mode produces classic flanger sounds while Swirl mode is warm, subtle, and textural. Lastly, the Phase setting produces deep bass or hollow, vocal sounds reminiscent of a talk box. Combine this toggle with different Feedback settings to unlock all sorts of new textures that you’d never expect from a traditional flanger.\u003c\/p\u003e\n\u003cp\u003eAnd to truly go to new bounds, and give you more control of your playing, the AFG-1 Expression jack enables expression pedal or control voltage functionality. Not only can you control 4 of the knob parameters, but it also expands the range of each knob above and below their maximum limits. Want to push the Freq control to the shortest time possible or drive the AFG-1 deep into self oscillation? With an expression pedal, that’s no problem.\u003c\/p\u003e\n\u003cp\u003eUsing its expansive array of controls, the AFG-1 goes where few flangers dare to tread. The AFG-1 will completely change your perspective on what a flanger can do to your sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFREQ:\u003c\/strong\u003e Delay time, adjustable from ~0.52ms to 13.5ms. Expanded to 0.33ms - 85ms with Expression pedal, control voltages, LFO or Envelope controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeedback:\u003c\/strong\u003e lets you deepen the comb effect to explore exotic flange-like sounds or push it to drone territory. Dial in peaks and notches for airplane whoosh, resonant pipe\/bell sounds, drippy chorus, or even deep vocal tones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRate:\u003c\/strong\u003e LFO rate, from 0.01Hz to 8Hz (or faster with use of an Expression Pedal). Modulate your playing for even more sonic possibilities. From delicate whoosh to shimmery warbles and octave shifts, the LFO will take you to new sounds with real fractional delay modulation that can only be achieved by true analog delay.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmount:\u003c\/strong\u003e Control the influence of the LFO, from light tone enhancing shimmers to deep jet engine roars and mind-bending warbles! Unlike traditional flangers that use a linear additive modulation, we use an exponential bi-polar modulator for smooth volt\/octave time and frequency shifts that stay musical over the entire sweep range. Our Amount also adds LFO bi-directionally to the FREQ control rather than pans between like a traditional Flanger.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrive:\u003c\/strong\u003e The Drive knob is a tweak of the drive circuit of our ADG-1 pedal. It provides character, rich saturation and tone shaping as the drive is increased. This generates extra harmonics to work with when combined with comb filtered flanging tones. At about 9:00 the drive is unity gain, with a transparent and flat response. As gain is increased it becomes increasingly saturated and sculpted, providing nearly 36dB of total gain with a subtle midrange emphasis.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnvelope:\u003c\/strong\u003e The Envelope follower knob provides a means of articulated “Whooshless” dynamic flanging. This flange effect rides your dynamics and gets out of the way when not playing, eliminating the sometimes unwanted whoosh artifacts of typical flangers. The envelope can be thought of as a third hand turning the FREQ knob with your playing dynamics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eENV Toggle:\u003c\/strong\u003e Three position toggle that gives your Envelope control three sets of Attack \/ Release curves for everything from quick articulated movement to slow ambient enhancements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhase Toggle:\u003c\/strong\u003e sets phase of both the feedback and mix to three options, Traditional Airplane Mode, a subtle Swill mode, and a Phase mode that produces a deep hollow or vocal tone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBypass Footswitch: \u003c\/strong\u003eeffect on\/off. The internal switch selects between True Bypass and Buffered Bypass using a JFET buffer for a warm yet natural buffered sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpression Switch:\u003c\/strong\u003e 4 position rotary switch lets you assign CV \/ Expression control to Freq, Feedback, Rate, or Amount. Connect an external expression pedal (internal +5V supplied on ring) or a 0-5V CV input for even more range and control of your playing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrue Bypass \/ Buffered bypass switch:\u003c\/strong\u003e Internal slide switch. Select between true bypass (takes the AFG-1 entirely out of your signal path) or a classic JFET buffered bypass to prevent noise and signal loss in your effect chain.\u003c\/p\u003e\n\u003ch2\u003eKey Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e100% analog dynamic flanger\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eUnique three-position phase toggle switch to set the relative phase of the delay and feedback signals\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eLFO has a true sine wave shape and a synthesizer-style exponential converter for a smooth, musical sweep over several octaves of delay time\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Asheville Music Tools","offers":[{"title":"Default Title","offer_id":43893493792948,"sku":"480836","price":609.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/asheville-afg1.jpg?v=1744175211"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/collections\/amt-logo_1.jpg?v=1700819286","url":"https:\/\/www.turramusic.com.au\/collections\/asheville-music-tools.oembed","provider":"Turramurra Music","version":"1.0","type":"link"}