{"title":"Studio Dynamic Processors","description":"","products":[{"product_id":"empirical-labs-el-8-distressor-stereo","title":"Empirical Labs EL-8 Distressor Stereo","description":"\u003cp\u003e\u003cspan\u003eThe Distressor is the product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBesides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This “warmth” or “vintage sound” has become a major issue in the last few decades, as the super clear and linear digital technology does next to nothing to soften “harsh” sounds, nor emphasize the bass frequencies in music sources. Conversely, older analog tape, vinyl records and tube equipment could not be prevented from coloring the sound, often to the frustration of recording engineers.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOffers a warm, vintage sound by using a custom designed gain control circuit\u003c\/li\u003e\r\n\u003cli\u003e8 of the Distressor’s curves are unique and distinctive\u003c\/li\u003e\r\n\u003cli\u003e3 modes that color the signal, even without compression:Basic distortion modeDistort 2 - emphasizes tube-like 2nd order harmonicsDistort 3 - dominated by 3rd harmonics more closely resembling tape\u003c\/li\u003e\r\n\u003cli\u003e2 HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":42018359673012,"sku":"565025S","price":4831.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/565025S.jpg?v=1710311885"},{"product_id":"empirical-labs-el-7x-fatso","title":"Empirical Labs EL-7X Fatso","description":"\u003cp\u003e\u003cspan\u003eThe FATSO (Full Analog Tape Simulator and Optimizer) is a digitally controlled analog device that gives musicians and engineers easy access to many of the desirable characteristics exhibited by older tube and Class A electronics and magnetic tape mediums. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOffers 4 types of processing: \u003c\/li\u003e\r\n\u003cli\u003eHarmonic Generation and Soft Clipper (Distortion Generation) - this class A circuit gently rounds the peaks like saturated tubes or tape\u003c\/li\u003e\r\n\u003cli\u003eHigh Frequency Saturation (Warmth) - a one-of-a-kind dynamic low pass filter which softens high frequencies when they “pile up” on a source\u003c\/li\u003e\r\n\u003cli\u003eTransformer \u0026amp; Tape Head Emulation - a simulation of the effect of input and output transformers of older devices, which adds the low frequency harmonics that characterize them, as well as analog tape\u003c\/li\u003e\r\n\u003cli\u003eClassic Knee Compression - your typical automatic leveling device found on just about every instrument and vocal track as well as on the overall buss\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":42018360197300,"sku":"565021","price":4144.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/565021.jpg?v=1710311827"},{"product_id":"manley-stereo-variable-mu-limiter-compressor-mastering-version","title":"Manley Stereo Variable MU Limiter Compressor (Mastering Version)","description":"\u003cp\u003eThe Mastering Version of the Variable Mu Limiter Compressor incorporating detented and logable steps built with 1% metal film resistors on sealed gold-contact Grayhill switches is available. The Mastering Version of the Variable Mu Limiter Compressor uses expensive Greyhill rotary switches with gold contacts where conductive plastic pots were used. The steps are determined with a large number of 1% precision metal film 1\/2 watt resistors. The best conductive plastic pots only have 10% or 20% tolerance. The ten fold improvement in precision helps a great deal in left-right matching. There is a subtle audible improvement with stepped switches as well. Audiophile HI-FI often uses that technique to wring the last drop of performance out of a preamplifier.\u003c\/p\u003e\r\n\u003cp\u003eThe INPUT LEVEL is a five position switch with a generic optimum setting of “0” in the 12:00 position. Each step in either direction is 2 dB. For reference, Unity Gain is \"0\".\u003c\/p\u003e\r\n\u003cp\u003eThe OUTPUT Attenuators are in half dB steps. Reference Unity is -11.5 or fully counter-clockwise. You might think of these as \"gain makeup\". They are marked technically, in that “0” or fully clockwise has zero attenuation in the circuit. The tube circuit actually has 15.5 dB of gain. The Input attenuator at \"0\" removes 4 dB and the Output attenuator removes the last 11.5 producing \"unity\". With a little compression the \"gain make-up\" available with the Output Attenuator is very handy.\u003c\/p\u003e\r\n\u003cp\u003eThe Threshold is in half dB steps calibrated to LIMIT mode. In Compress the steps are approximately 1\/4 dB. There are 24 steps so LIMIT gets a 12 dB range and Compress has a 6 dB range of adjustment. In some cases it is common to use the Input Attenuator to find a good starting point. Some Mastering engineers find using the combination of Input, Output and Threshold to achieve a little different \"drive\". Another good reason for stepped gains.\u003c\/p\u003e\r\n\u003cp\u003eThe Attack Time has been slightly extended in both directions compared to a regular Variable Mu and divided into 11 steps. \u003cbr\u003eThe Recovery 5 position switch is exactly the same as a regular Variable Mu.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMANLEY input \u0026amp; output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz\u003c\/li\u003e\r\n\u003cli\u003eBALANCED INPUTS \u0026amp; OUTPUTS (600 Ohms)\u003c\/li\u003e\r\n\u003cli\u003eFully differential ALL-TUBE circuitry using one each 5670, 5751 (or 12AX7), 7044 (or 5687), \u0026amp; 12AL5 per channel\u003c\/li\u003e\r\n\u003cli\u003eIndependently regulated B+ and Heater supplies\u003c\/li\u003e\r\n\u003cli\u003eHard-wire BYPASS switch\u003c\/li\u003e\r\n\u003cli\u003eStepped switch INPUT attenuator as of 10\/2011. (older units use Silent dual-ganged potentiometer)\u003c\/li\u003e\r\n\u003cli\u003eRECOVERY 5 steps\u003cstrong\u003e:\u003c\/strong\u003e 0.2s, 0.4s, 0.6s, 4sec., 8sec.\u003c\/li\u003e\r\n\u003cli\u003eVariable ATTACK\u003cstrong\u003e:\u003c\/strong\u003e 25msec-70msec\u003c\/li\u003e\r\n\u003cli\u003eContinuously variable THRESHOLD\u003c\/li\u003e\r\n\u003cli\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)\u003c\/li\u003e\r\n\u003cli\u003eHP SC\u003cstrong\u003e:\u003c\/strong\u003e High Pass Side Chain Filter -3dB @ 100Hz\u003c\/li\u003e\r\n\u003cli\u003eLarge ILLUMINATED Sifam METERS (older units before serial number MSLC61642 shipped before 12\/2003 use: 26V 1.2W FESTOON LAMPS; Manley's Part Number: VAR016B) Order spare bulbs using our parts order form. (newest units after serial number MSLC61642 shipped after 12\/2003 use white LED lighting)\u003c\/li\u003e\r\n\u003cli\u003eSTEREO LINK SWITCH\u003c\/li\u003e\r\n\u003cli\u003eSeveral units can be linked for Surround (custom order )\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":42018439823540,"sku":"497808M","price":9977.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497808M.jpg?v=1710311688"},{"product_id":"smart-research-c2","title":"Smart Research C2","description":"\u003cp\u003eHigh performance stereo mix or instrument compressor.130dB dynamic range, external sidechain inputs, 'Crush' mode, fast limit.\u003c\/p\u003e\r\n\u003cp\u003eNew generation VCA's, fast slew rate amplifiers.(Also available in multichannel versions) Two sets of controls and two audio channels.\u003c\/p\u003e\r\n\u003cp\u003eThe C2 compressor houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true Stereo operation.\u003c\/p\u003e","brand":"Smart Research","offers":[{"title":"Default Title","offer_id":42018523578548,"sku":"497805","price":3905.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/smart-research-c2-dual-mono-stereo-compressor-1.jpg?v=1667936772"},{"product_id":"smart-research-c2m-mono-stereo-compressor","title":"Smart Research C2M Mono\/Stereo Compressor","description":"\u003cp\u003eOne set of controls and two audio channels\u003c\/p\u003e\r\n\u003cp\u003eThe C2 compressor houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true Stereo operation. The C2M version has one set of controls and two audio channels for Stereo use.\u003c\/p\u003e\r\n\u003cp\u003eThe characteristic sound of this unit arises mostly from the fast response at the onset of compression, which when delayed to occur around the mid range attack settings (after 0.3 to 3 milliseconds) results in a window through which transients can still pass.\u003c\/p\u003e\r\n\u003cp\u003eFeatures:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFast attack and limit settings for protective limiting. \u003c\/li\u003e\r\n\u003cli\u003eCrush mode gives f.e.t 'overcompression' with tailored frequency response, and higher distortion, for 'huge' dynamic effects. \u003c\/li\u003e\r\n\u003cli\u003eExternal sidechain inputs, (for ducking etc.) \u003c\/li\u003e\r\n\u003cli\u003ePower fail bypass for broadcast or live sound. \u003c\/li\u003e\r\n\u003cli\u003eRatios 1.5:1, 2:1, 3:1, 4:1, 10:1 and Limit. \u003c\/li\u003e\r\n\u003cli\u003eAttack 0, 0.1, 0.3, 1, 3, 10, and 30 m\/sec. \u003c\/li\u003e\r\n\u003cli\u003eRelease 0.1, 0.3, 0.6, 1.2, and 2.4 seconds.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Smart Research","offers":[{"title":"Default Title","offer_id":42018524430516,"sku":"497805M","price":3099.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/smart-research-c2m-mono-stereo-compressor-1.jpg?v=1667936783"},{"product_id":"smart-research-c1-dual-stereo-compressor","title":"Smart Research C1 Dual\/Stereo Compressor","description":"\u003cp\u003eTwo sets of controls and two audio channels.\u003c\/p\u003e\r\n\u003cp\u003eOriginal black front panel version of C2 compressor. (Two sets of controls and two audio channels, but no sidechain inputs, or crush facility)\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003ePower:\u003c\/b\u003e 100v-240v AC selectable, 30 watts. \u003cbr\u003e\u003cb\u003eNoise floor:\u003c\/b\u003e Below -92 dBm (flat 20Hz-20Khz). \u003cbr\u003e\u003cb\u003eDistortion: \u003c\/b\u003e Below 0.025% (1K\/+4 THD 20Hz-20Khz) \u003cbr\u003e\u003cb\u003eFrq. Response: \u003c\/b\u003e Within 1\/2dB from 20Hz to 20Khz. \u003cbr\u003e\u003cb\u003eDepth in rack:\u003c\/b\u003e 240mm. \u003cbr\u003e\u003cb\u003eMain input: \u003c\/b\u003e Balanced, impedance 10K per leg. \u003cbr\u003e\u003cb\u003eOutput: \u003c\/b\u003eUnbalanced (p2 hot default). Above +21dBm. \u003cbr\u003e\u003cb\u003eThreshold: \u003c\/b\u003e Adjustable -15 to +15dBm. \u003cbr\u003e\u003cb\u003eMake-up gain: \u003c\/b\u003e Adjustable 0 to +15dBm. \u003c\/p\u003e","brand":"Smart Research","offers":[{"title":"Default Title","offer_id":42018524790964,"sku":"497804","price":3099.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/smart-research-c1-dual-stereo-compressor-1.jpg?v=1667936799"},{"product_id":"empirical-labs-el-8-distressor","title":"Empirical Labs EL-8 Distressor","description":"\u003cp\u003eThe Distressor is the product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world.Besides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This “warmth” or “vintage sound” has become a major issue in the last few decades, as the super clear and linear digital technology does next to nothing to soften “harsh” sounds, nor emphasize the bass frequencies in music sources. Conversely, older analog tape, vinyl records and tube equipment could not be prevented from coloring the sound, often to the frustration of recording engineers.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOffers a warm, vintage sound by using a custom designed gain control circuit\u003c\/li\u003e\r\n\u003cli\u003e8 of the Distressor’s curves are unique and distinctive\u003c\/li\u003e\r\n\u003cli\u003e3 modes that color the signal, even without compression:Basic distortion mode Distort 2 - emphasizes tube-like 2nd order harmonics Distort 3 - dominated by 3rd harmonics more closely resembling tape\u003c\/li\u003e\r\n\u003cli\u003e2 HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":42018647834804,"sku":"565025","price":2729.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/empiricallabs-el8-distressor-1.jpg?v=1667938119"},{"product_id":"drawmer-1968-mercenary-edition","title":"Drawmer 1968 Mercenary Edition","description":"\u003cp\u003eThe 1968 is a 1U Tube\/FET ‘stereo bus’ compressor which by design delivers a transparent ‘open’ sound even during periods of heavy compression. Featured on both channels is a switchable ‘BIG’ mode which applies less processing to the fundamental low frequency but still disciplines the upward associated harmonics which if untamed can result in a ‘boomy’ or ‘boxy’ sound. The result - a solid bottom end with enhanced sub-bass and a smoother, wider frequency response overall.\u003c\/p\u003e\r\n\u003cp\u003eThe 1968 is a ‘stripped down’ version of the 1969 introduced to the market by customer demand for those not requiring the instrument and mic preamps incorporated in the 2U 1969.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eFeatures:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 Channel Tube\/FET Compressor\u003c\/li\u003e\r\n\u003cli\u003e2 soft-knee compressors with variable threshold, attack, release and output gain\u003c\/li\u003e\r\n\u003cli\u003eSwitchable BIG control on each channel\u003c\/li\u003e\r\n\u003cli\u003eDual mono or true stereo link operation\u003c\/li\u003e\r\n\u003cli\u003eSide chain access and side chain listen facility\u003c\/li\u003e\r\n\u003cli\u003eVU metering of gain reduction and output levelsVU red warning glow to signify ‘approaching clipping’\u003c\/li\u003e\r\n\u003cli\u003eBalanced +4dB XLR in\/outs\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":42018679259316,"sku":"561006M","price":2420.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/561006M.jpg?v=1710310799"},{"product_id":"drawmer-1969-mercenary-edition","title":"Drawmer 1969 Mercenary Edition","description":"\u003cp\u003eThe 1969 Mercenary Edition is a new product that derives from a collaboration between two of the audio industry’s most established names, Drawmer (UK) and Mercenary Audio (USA). When Ivor Drawmer rose to the challenge of outspoken US producer\/engineer ‘Fletcher’ of Mercenary Audio to build a special version of the famed Drawmer 1960 (used by Eric Clapton, Madonna, Sheryl Crow, Stevie Wonder, Bryan Adams and thousands of artists around the world) - both sides joined forces and the 1969 Mercenary Edition was born!\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eMain Features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 mic\/line pre-amps with variable gain, 48V phantom power, filters and phase reverse.\u003c\/li\u003e\r\n\u003cli\u003eInstrument tube pre-amp with variable gain, EQ, phase reverse and brightness boost.\u003c\/li\u003e\r\n\u003cli\u003e2 soft-knee tube compressors with variable threshold, attack, release and output gain.\u003c\/li\u003e\r\n\u003cli\u003eTrue stereo link operation with BIG position for retaining bass frequencies.\u003c\/li\u003e\r\n\u003cli\u003eSide chain access and side chain listen facility.\u003c\/li\u003e\r\n\u003cli\u003eVU metering of gain reduction and output levels.\u003c\/li\u003e\r\n\u003cli\u003eIndividual +4dB\/-10dB inserts \/ Balanced +4dB XLR input\/output connectors.\r\n\u003cp\u003eBased on Drawmer’s original 1960 Mic Pre-Amp\/Tube Compressor (itself inspired by the classic Fairchild 670), the 1969 offers a host of new features, and more impressively - a completely new sound!\u003c\/p\u003e\r\n\u003cp\u003eRetaining the concept of twin mic pre-amps, the 1969 uses ‘Burr-Brown’ op amps for a silkier sound - and a Phase Reverse switch available in Instrument, Mic and Line modes increases versatility. The 1969 employs true Stereo Link operation with channel one’s Threshold, Attack and Release controls becoming master to both channels. Stereo Link also offers a BIG position which retains bass frequencies by rolling off the detection signal at 100Hz minimizing undesirable pumping during compression. Output Gain make-up can be independently controlled on each channel. The 1969 Mercenary Edition incorporates new tube circuits designed to add warmth to mic\/line signals, and the instrument (DI) pre-amp has its own tube stage enabling classic overdrive effects when inserting guitar, bass and other instruments - true to the original Drawmer 1960 design.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":42018680996020,"sku":"561027","price":3610.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/561027.jpg?v=1710310659"},{"product_id":"drawmer-dl441-quad-auto-compressor-limiter","title":"Drawmer DL441 Quad Auto Compressor Limiter","description":"\u003cp\u003eThe DL441 Quad Auto Compressor\/Limiter captures four channels of Drawmer's innovative DL241 'Auto Compressor' in only 1U of rack space. The inclusion of new sophisticated 'automated' circuitry allows the engineer to precisely control both the dynamic range and 'absolute' peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional 'Auto Attack\/Release' Compressor with a variable threshold 'Peak Level' Limiter on the output providing a transparent 'endstop'. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations. Facilities available on the DL441 include:\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cb\u003eCompressor :\u003c\/b\u003eThe compressor section can be switched to provide either HARD or SOFT knee compression In both the HARD and SOFT modes a Ratio control is available. In the SOFT mode the ratio increases gradually over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression In HARD mode the compressor provides a more precise means of controlling gain, where the ratio as set on the front panel is applied immediately the signal exceeds threshold. This is particularly useful in many broadcast applications. HARD knee compression can also be used creatively as an effect, particularly in the treatment of drum and guitar sounds, or for giving rock vocals a 'compressed sound'.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eAuto Attack and Release : \u003c\/b\u003eremoves the need for manual adjustment by producing a response which constantly follows the dynamics of the signal. This enables the DL441 to preserve crisp transients without allowing excessive peaks to occur. A smooth yet lively recovery from compression minimizes side effects such as 'pumping' and 'breathing'. This feature is particularly valuable when the program being treated does not have predictable or consistent dynamics, such as complete mixes, vocals or 'slapped and pulled' bass guitar.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003ePeak Level Limiter :\u003c\/b\u003e'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0db to +16dB above system level. 'Zero Response Time' transparent limiting means that the DL441 provides complete protection from even the fastest and shortest signal overloads, making the unit ideally suited for speaker system protection in sound reinforcement applications. The sophisticated circuitry will also prevent unpleasant distortion when used for digital mastering.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eMetering : \u003c\/b\u003eComprehensive bar graph displays give 'at a glance' indications of gain reduction, and input\/output signal level Gain reduction from 1dB to 30dB is shown simultaneously with signal level from 10dB to +10dB. When the channel is in BYPASS the output bar graph displays the input signal level. Other single LEDs indicate function status of Hard\/Soft compression, Bypass, Peak Limiting, Linking, and Power on.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eBypass : \u003c\/b\u003eA fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eStereo Linking : \u003c\/b\u003eChannels 1-2 and\/or 3-4 can be stereo linked, where the left channel of the stereo pair becomes the master.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eOperating Level : \u003c\/b\u003eThe operating level of the DL441 can be instantly switched, independently on each channel, for either +4dBu or 10dBu operation using a rear panel push switch.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eInput\/Output :\u003c\/b\u003eThe DL441 is provided with balanced inputs and outputs on XLR connections.\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":42018682994868,"sku":"561019","price":2280.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/561019.jpg?v=1710310587"},{"product_id":"chandler-limited-tg-1","title":"Chandler Limited TG-1","description":"\u003cp\u003eThe Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late 60's. The TG Limiter was originally designed to be like the Fairchild 660\/670 which was loved by many EMI engineers, including Geoff Emerick, but ended up with a very special sound all its own. These rare pieces were never commercially available and only EMI owned studios had access to them. Our version has been remade from the original design information and circuit board drawings as provided by Abbey Road and EMI to ensure extreme authenticity!\u003c\/p\u003e\r\n\u003cp\u003eTG equipment was used on many classic records and this Limiter was featured on every channel of TG consoles used to record The Beatles \"Abbey Road\", several Pink Floyd records including \"Dark Side of the Moon\", Paul McCartney, and the Rolling Stones.\u003c\/p\u003e\r\n\u003cp\u003eThe Limiter\/Compressor features an all discrete circuit with transformer balanced input and output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and squishy sounding while maintaining its clarity and high frequency response.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eTG1 Updates \u0026amp; Modifications:Harmonic Distortion Function-\u003c\/b\u003e\u003cbr\u003eNow standard on all Abbey Road Special Edition TG-1's, this option allows bypassing of the compressor\/limiter threshold but leaves all circuits in the signal path, turning the unit into a powerful Harmonic Distortion generator capable of kicking out up to 2% Total Harmonic Distortion. That's more than 2 times the amount of analog tape! And all with 100% discrete transformer balanced circuits. Adjust the input for amount of THD and the output to match level. Try running Distortion on one channel and hard limiting on the other. The ultimate in retro! This option is placed on the front panel of the unit with a toggle switch for each channel.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eNew Input Control-\u003c\/b\u003e\u003cbr\u003eAll TG1 units now ship with audio taper input controls. These new pots give better control of the unit at lower amounts of compression, better overall resolution of the limiter, and allows the user to get \"less\" gain reduction from the unit.\u003c\/p\u003e\r\n\u003cp\u003ePrice Includes power supply unit\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":42018734276788,"sku":"497858","price":7529.01,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/chanlimit-tg-1-1.jpg?v=1667939032"},{"product_id":"chandler-limited-germanium-compressor","title":"Chandler Limited Germanium Compressor","description":"\u003cp\u003eThe Germanium series continues with the GERMANIUM Compressor. The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is transformer balanced in and out. The Compression circuit uses a FET gain reduction element but with the tricks and flexibilty of all the GERM units. Some of the most notable additions include a WET\/DRY mix (for “submixing” tracks within the comp), COMP CURVE (which selects the knee using various diode combinations), CLEAN\/DIRTY COMP, and SIDECHAIN FILTER. Many of the GERM Comp parameters have been purposely set by studio use and listening, not by over analysing them with test gear. The result is a musical powerhouse for ready for tracking, mixing, and mastering.\u003c\/p\u003e\r\n\u003cp\u003ePrice includes power supply unit.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":42018734637236,"sku":"497823","price":3766.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/chanlimit-germ-comp-1.jpg?v=1667939046"},{"product_id":"universal-audio-1176-ln","title":"Universal Audio 1176-LN","description":"\u003cp\u003eThe Universal Audio 1176-LN Classic Limiting Amplifier is a modern reproduction, yet every effort was made to remain faithful to UA founder Bill Putnam Sr.’s visionary design and intentions. The original UA 1176LN was a major breakthrough in limiter technology — the first true peak limiter with all transistor circuitry offering superior performance with a signature sound — and set the standard for all limiters to follow. The ultra-fast attack time and trademark sound have lured legendary artists and studio moguls alike to the 1176LN — Peter Frampton, Joe Satriani, Joe Chiccarelli, Vance Powell, and Mike Elizondo are just a few names on a list that’s continued to grow, for nearly 50 years.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTrue to the original in design, manufacturing \u0026amp; performance\u003c\/li\u003e\r\n\u003cli\u003eModeled after 1176LN, blackface, D \u0026amp; E revisions\u003c\/li\u003e\r\n\u003cli\u003eUltra fast attack time - 20 microseconds to 800 microseconds\u003c\/li\u003e\r\n\u003cli\u003eClass A line level output amplifier\u003c\/li\u003e\r\n\u003cli\u003eCustom built Putnam-designed output transformer\u003c\/li\u003e\r\n\u003cli\u003eStereo interconnect operation\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":42018749743284,"sku":"565016","price":5098.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/universal-audio-1176-ln-1_1.jpg?v=1667939254"},{"product_id":"golden-age-project-comp-54mk2","title":"Golden Age Project COMP-54MK2","description":"\u003cp\u003eThe Comp-54 MKIII is a one-channel vintage style Compressor. The signal path uses only discrete components like resistors, capacitors and transistors. The line input and output are transformer balanced and the unit also has a third interstage transformer.The class-A circuit used in the COMP-54 is similar to the one in the classic 2254 compressor that was designed in 1969. It quickly became a legend due to it's totally unique sound character that is warm, smooth, sweet and musical. These characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey Features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVintage style electronics.\u003c\/li\u003e\r\n\u003cli\u003eBased on classic diode bridge designs.\u003c\/li\u003e\r\n\u003cli\u003eTransformer balanced I\/O´s.\u003c\/li\u003e\r\n\u003cli\u003ePrepared for transformer upgrade.\u003c\/li\u003e\r\n\u003cli\u003eFlexible control range for Ratio, Attack and Release.\u003c\/li\u003e\r\n\u003cli\u003eAll controls except the Gain make-up one are stepped.\u003c\/li\u003e\r\n\u003cli\u003eThree selectable Sidechain filter frequencies.\u003c\/li\u003e\r\n\u003cli\u003eSeparate Bypass and Compression IN\/OUT switches.\u003c\/li\u003e\r\n\u003cli\u003eMeter selectable for Output and Gain Reduction.\u003c\/li\u003e\r\n\u003cli\u003ePossibility to Link two units for stereo operation.\u003c\/li\u003e\r\n\u003cli\u003eSeparate in- and output XLR and TRS jacks for flexible connections.\u003c\/li\u003e\r\n\u003cli\u003eBack panel switch for 600 Ohm termination.\u003c\/li\u003e\r\n\u003cli\u003eExternal power power supply to avoid interaction with the audio circuitry and the transformers.\u003c\/li\u003e\r\n\u003cli\u003eGreat sound that suits most sound sources and genres.\u003c\/li\u003e\r\n\u003cli\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":42019090530484,"sku":"561002","price":661.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/goldenageprojects-comp-54-mkii-1.jpg?v=1667942741"},{"product_id":"behringer-hd400","title":"Behringer HD400","description":"\u003cp\u003eUltra-compact 2-channel hum destroyer\u003c\/p\u003e\r\n\u003cp\u003eThe HD400 features two channels that can eliminate hum in two mono signals or one stereo signal.\u003c\/p\u003e\r\n\u003cp\u003eTry putting it between a stereo mixer and your power amps for a squeaky-clean sound free of AC hum.\u003c\/p\u003e\r\n\u003cp\u003eIt breaks ground loops safely while maintaining the highest sound quality. It can even convert unbalanced signals into balanced without any signal degradation.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eFeatures:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRemoves AC hum and noise - fast, easy and reliable\u003c\/li\u003e\r\n\u003cli\u003eBreaks ground loops safely, while keeping highest sonic quality\u003c\/li\u003e\r\n\u003cli\u003e2 independent channels for 2 mono or 1 stereo signal\u003c\/li\u003e\r\n\u003cli\u003eAutomatically converts unbalanced to balanced signals without signal loss\u003c\/li\u003e\r\n\u003cli\u003eHigh-quality components and exceptionally rugged construction ensure long life\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":42019223240884,"sku":"593200","price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/593200.jpg?v=1710307442"},{"product_id":"art-pro-audio-pro-vla-ii","title":"ART Pro Audio Pro VLA II","description":"\u003cp\u003e\u003cspan\u003eThe ProVLA II is a tube driven Vactrol-based Compressor \/ Leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the ProVLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCapable of delivering a far more musical natural sounding and sonically transparent compression than competitive units in its class, the ProVLA II uses an Opto-electronic circuit rather than the more typical design VCA driven level detection circuit. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical audio applications. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eExceptional signal integrity with extremely low noise and low distortion is achieved in the ProVLA II by utilizing a transformerless design throughout. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVCA-Less Vactrol Opto-Compression Design\u003c\/li\u003e\r\n\u003cli\u003eMastering Quality Audio Signal Path with Tube Gain Stage\u003c\/li\u003e\r\n\u003cli\u003eEnhanced Link Mode - While in stereo link mode, channel 1 level control acts as a master output level \u0026amp; channel 2 becomes a balance control between them, - optimizing the Pro-VLA II for use as a mastering tool\u003c\/li\u003e\r\n\u003cli\u003eVariable Threshold, Ratio \u0026amp; Output Controls\u003c\/li\u003e\r\n\u003cli\u003eLED Backlit VU Input\/Output Level Metering\u003c\/li\u003e\r\n\u003cli\u003eLED Metering Indicates Both Average Level \u0026amp; Peak Hold\u003c\/li\u003e\r\n\u003cli\u003eAccurate Ten Segment LED Gain Reduction Metering\u003c\/li\u003e\r\n\u003cli\u003e+4dBu\/-10dBu Mode Switch Optimizes Pro-VLA II For Interface with Professional OR\u003c\/li\u003e\r\n\u003cli\u003eConsumer Grade Components\u003c\/li\u003e\r\n\u003cli\u003eActive Balanced XLR And ¼-Inch Inputs \u0026amp; Outputs\u003c\/li\u003e\r\n\u003cli\u003eToroidal Transformer Reduces Mechanical \u0026amp; Electrical Hum\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"ART Pro Audio","offers":[{"title":"Default Title","offer_id":42019347923124,"sku":"562055","price":949.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/562055.jpg?v=1710307261"},{"product_id":"empirical-labs-el-8x-distressor","title":"Empirical Labs EL-8X Distressor","description":"\u003cp\u003e\u003cspan\u003eThe Distressor is the product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBesides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This “warmth” or “vintage sound” has become a major issue in the last few decades, as the super clear and linear digital technology does next to nothing to soften “harsh” sounds, nor emphasize the bass frequencies in music sources. Conversely, older analog tape, vinyl records and tube equipment could not be prevented from coloring the sound, often to the frustration of recording engineers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe concept of British Mode came from an unusual setting on the classic UREI LN1176 limiter. The unit was designed to have only four ratios, each ratio being engaged by selecting one of four buttons. However, as early as 1980 (or before), renegade recording engineers, always on the lookout for something a little more “over-the-top”, found that you could make all four buttons stay in if you pressed them just right. What resulted was a very aggressive sound that had some elements of the unit’s 20:1 ratio, but with an unusual knee and new envelope shape. Somewhere along the line, someone called it “British Mode”, and the name stuck.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe original Distressor stereo link function used a summing and phase detection method, which allowed slight stereo image shifting. Although frequently desirable for its phase correction, and its “thickening” on open room mics and other stereo sources, this approach can sometimes be a problem on stereo program material where the producer\/engineers want to maintain absolute left\/right balance at all times. With the new “Stereo Image Link” option, the EL8-X now has three link options - the original “phase” link, the new Image Link and the combination of the two, phase and image linking - something never before offered on any compressors or limiters. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBritish Mode\u003c\/li\u003e\n\u003cli\u003eImage Link\u003c\/li\u003e\n\u003cli\u003eOffers a warm, vintage sound by using a custom designed gain control circuit\u003c\/li\u003e\n\u003cli\u003e8 of the Distressor’s curves are unique and distinctive\u003c\/li\u003e\n\u003cli\u003e3 modes that color the signal, even without compression:\u003cbr\u003eBasic distortion mode\u003cbr\u003eDistort 2 - emphasizes tube-like 2nd order harmonics\u003cbr\u003eDistort 3 - dominated by 3rd harmonics more closely resembling tape\u003c\/li\u003e\n\u003cli\u003e2 HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":42019518185652,"sku":"565025X","price":3269.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/empiricallabs-el8x-distressor-1.jpg?v=1667946795"},{"product_id":"empirical-labs-el-8x-distressor-stereo","title":"Empirical Labs EL-8X Distressor Stereo","description":"\u003cp\u003e\u003cspan\u003eThe Distressor is the product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBesides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This “warmth” or “vintage sound” has become a major issue in the last few decades, as the super clear and linear digital technology does next to nothing to soften “harsh” sounds, nor emphasize the bass frequencies in music sources. 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Manley had to put a switch on this limiter to drop its internal VU meters down 3 \u0026amp; 6dB to keep the poor little needles from bending– it'll get LOUD fast (hence the exclamation mark).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Mastering Version of the SLAM! incorporates detented and logable 1\/2dB steps built with 1% metal film resistors on sealed gold-contact Grayhill switches is in full production. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNo mic preamps or instrument inputs. Instead the tube sections are paralleled for lower noise \u0026amp; distortion\u003c\/li\u003e\r\n\u003cli\u003eAll pots are replaced with rotary switches for detented resettability \u0026amp; easier calibration\u003c\/li\u003e\r\n\u003cli\u003eTrue hard-wire bypass function, which is not possible on the regular version with mic preamps, etc\u003c\/li\u003e\r\n\u003cli\u003eDedicated unbalanced transformerless inputs\u003c\/li\u003e\r\n\u003cli\u003eELOP limiter has 5 ratios, which may put it into the compressor\/limiter category\u003c\/li\u003e\r\n\u003cli\u003eFET limiter has 5 modes\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":42019581165748,"sku":"497824","price":15499.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497824.jpg?v=1710304195"},{"product_id":"manley-elop","title":"Manley ELOP+","description":"\u003cp\u003e\u003cspan\u003eSince the early 1990’s, the Manley ELOP® stereo electro-optical limiter has been a tracking hero - effortlessly controlling dynamics on countless records around the globe and delivering the coveted classic, all-tube sound for which Manley Labs is known. This LA-2A type unit allows for deep amounts of limiting without loss of high frequencies: it literally works (and sounds) like a changing volume control.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe original was super easy to use, with supremely natural sound, and has often been the perfect choice for superstar vocals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe original Stereo ELOP®, or Electro Optical Limiter, was one of the first Manley products from the early 1990’s. With its through-hole printed circuit board construction and hours of tedious hand-looming, it sure looked like 1992 inside the chassis. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe unit was scrubbed for buildability, embracing modern production techniques. Importantly, the power supply was upgraded to Manley's proprietary universal voltage Switch Mode Power Supply, which lowered the noise level and made the unit a true world-traveler.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe've also added a 3:1 compression ratio feature which opens up the doors to greater versatility, especially for 2-buss applications. With careful reference to our sonic past, we have deployed our highest performance vacuum tube line amplifier and White Follower output stage in this new version, all housed in a build-efficient chassis behind a drop-dead gorgeous precision-CNC-milled faceplate - all proudly made in America, of course. The new Manley ELOP+ is everything you love about our legendary ELOP, plus!\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll tube audio path 12AU7WA + 6414 per channel\u003c\/li\u003e\r\n\u003cli\u003eUnbalanced 1\/4\" inputs \u0026amp; outputs\u003c\/li\u003e\r\n\u003cli\u003eBalanced transformer coupled XLR inputs \u0026amp; outputs\u003c\/li\u003e\r\n\u003cli\u003eHi-current driveSilent conductive plastic INPUT attenuators\u003c\/li\u003e\r\n\u003cli\u003eMax. GAIN REDUCTION 22dB\u003c\/li\u003e\r\n\u003cli\u003eATTACK time: 10mS for 6dB GR\u003c\/li\u003e\r\n\u003cli\u003eRELEASE: 2.5 Seconds for 6dB GR\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input (Bypass through Line Amplifier) +30 dBv (with Limit \"IN\" the maximum is entirely variable)\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output +30 dBv\u003c\/li\u003e\r\n\u003cli\u003eHeadroom (referenced to +4 dBv) 26 dB\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 10 Hz to 70 kHz ±0.5 dB\u003c\/li\u003e\r\n\u003cli\u003eBYPASS switches \u0026amp; AUTOMUTE w\/warmup delay\u003c\/li\u003e\r\n\u003cli\u003eLarge ILLUMINATED Sifam VU METERS\u003c\/li\u003e\r\n\u003cli\u003eMeters switch to read OUTPUT or REDUCTION\u003c\/li\u003e\r\n\u003cli\u003eSTEREO LINK\u003c\/li\u003e\r\n\u003cli\u003eSide-Chain High-Pass Filter 100Hz or 200Hz\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":42019584278708,"sku":"497825","price":4455.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497825.jpg?v=1710303469"},{"product_id":"tube-tech-cl1b","title":"Tube Tech CL1B","description":"\u003cp\u003e\u003cspan\u003eThe TUBE-TECH CL 1B Compressor features a gain-reduction element, positioned immediately after the input transformer. It is controlled by the sidechain amplifier, which also contain the two time control circuits - one for fixed and one for variable Attack\/Release. The two time-controllers can either be used separately or combined. This circuit contains semiconductor OP-amps for the entire control.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe gain-reduction element is followed by a tube-based push-pull amplifier with variable gain up to 30 dB. A dedicated Bus selector with three positions (Off, Bus 1, Bus 2) is used whenever you want to link several compressors together. Input and output transformers have a static-screen between the primary and secondary wirings. Both Input and Output are balanced as well as fully floating.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUnique low distortion gain-reduction element\u003c\/li\u003e\r\n\u003cli\u003eAll tube-based push-pull amplifier\u003c\/li\u003e\r\n\u003cli\u003eMultiple interconnection of several compressors via two busses\u003c\/li\u003e\r\n\u003cli\u003eVU-meter for monitoring input, compression and output\u003c\/li\u003e\r\n\u003cli\u003eContinuously variable attack \u0026amp; release time\u003c\/li\u003e\r\n\u003cli\u003eGain Range (off to +30 dB)\u003c\/li\u003e\r\n\u003cli\u003eVariable Threshold (off to -40 dBu)\u003c\/li\u003e\r\n\u003cli\u003eFrequency response @ -3 dB: 5 Hz to 25 kHz\u003c\/li\u003e\r\n\u003cli\u003eLow noise: \u0026lt; -75 dBu @30 dB gain\u003c\/li\u003e\r\n\u003cli\u003eClickless bypass relay\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Tube Tech","offers":[{"title":"Default Title","offer_id":42019769876660,"sku":"565088","price":6848.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/565088.jpg?v=1710302603"},{"product_id":"warm-audio-wa-76","title":"Warm Audio WA-76","description":"\u003cp\u003eThe WA76 Limiting Amplifier is a modern reproduction of the Classic 1176 Revision D. 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Rackmount chassis, 2U\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":42019770204340,"sku":"565090","price":969.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/warmaudio-wa76-1.jpg?v=1667949792"},{"product_id":"spl-transient-designer-4","title":"SPL Transient Designer 4","description":"\u003cp\u003eThe SPLTransient Designer 4 Mk2 features the same processing qualities as its predecessor, but comes in a new design and has an even better feel due to the solid aluminum knobs. The Transient Designer 4 Mk2 offers four Transient Designer channels in one 19″ device.\u003c\/p\u003e\n\u003cp\u003eThe Transient Designer offers a completely new technology for level-independent shaping of the dynamic response of a sound: For the first time it is possible to control the attack and sustain behaviour of a signal in a very simple way! 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The Auto Dynamic DeEsser removes undesired sibilant frequencies in a simple and musical way, cancelling out S-sounds without affecting the natural character or timbre of the voice.\u003c\/p\u003e\n\u003cp\u003eThe newest generation of the DeEsser Mk2 features the same processing qualities as its predecessor, but comes in a new design and has an even better feel due to the solid aluminum knobs. The DeEsser Mk2 offers two mono DeEssers in one 19″ device.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe DeEsser uses a unique technology to reduce sibiliance in a mix or on vocal tracks.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt automatically detects and hones in on the sibilant frequencies leaving neighboring\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efrequencies unaffected. These S‑sounds are mixed back into the main signal phase-inverted to cancel out the sibilance. The result is a sound-neutral, inconspicuous and extremely effective process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEven at high S‑Reduction values the de-essing has an egligible effect on the character and timbre of the voice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRevamped design over previous De-Esser model, with solid aluminum knobs\u003c\/li\u003e\n\u003cli\u003e2 mono De-Essers in one device\u003c\/li\u003e\n\u003cli\u003ePhase-canceling technology effectively removes unwanted sibilants\u003c\/li\u003e\n\u003cli\u003eCombines ease of use with the highest levels of sonic performance\u003c\/li\u003e\n\u003cli\u003eRemoves sibilance while leaving neighboring frequencies untouched\u003c\/li\u003e\n\u003cli\u003eAuto-threshold function keeps processing consistent throughout a performance\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":42019881517236,"sku":"497917","price":1699.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/spl-desser-mk2.jpg?v=1724806356"},{"product_id":"drawmer-1973","title":"Drawmer 1973","description":"\u003cp\u003e\u003cspan\u003eThe 1973 is a multi-band compressor with the versatility, control and ability to shape sound that no full band compressor could ever provide and at an affordable price. Expanding on the renowned range of dynamics processors Drawmer introduce an affordable Three Band Stereo FET Compressor that every engineer will completely appreciate - the 1973. The culmination of 30 years of development and experience, the 1973 combines the functionality and control of the world class Drawmer S3 with the familiarity and quality of the illustrious 1960 and 1968, providing three bands of transparent, intuitive compression for the price of a conventional single full band compressor.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStandard intuitive controls such as threshold, gain, switched attack \u0026amp; release with gain reduction metering on each band\u003c\/li\u003e\r\n\u003cli\u003eFast reacting soft knee F.E.T. design with excellent left\/right tracking across the full range of compression\u003c\/li\u003e\r\n\u003cli\u003eVariable wet\/dry mix plus output gain knobs give a 'parallel compression' function without the need for external mixing devices, providing complete \u0026amp; effortless control over the amount of compression used \u0026amp; output levels\u003c\/li\u003e\r\n\u003cli\u003eVariable band split filters at a 6dB per octave slope with switch-able mute \u0026amp; bypass on each band make 'tuning in' to a frequency simple\u003c\/li\u003e\r\n\u003cli\u003e‘Big’ \u0026amp; 'Air' modes help to preserve the very deep lows \u0026amp; enhance the sparkling highs\u003c\/li\u003e\r\n\u003cli\u003e2 Analogue V.U. meters with switchable +10dB meter rescale modes \u0026amp; a switchable ‘Peak’ mode to display fast transients not normally seen on conventional V.U.s\u003c\/li\u003e\r\n\u003cli\u003eDedicated gain reduction meters on each band\u003c\/li\u003e\r\n\u003cli\u003eInternal low Hhum toroidal linear power supply with voltage selector switch\u003c\/li\u003e\r\n\u003cli\u003eClassic Drawmer build quality with rugged steel chassis \u0026amp; aluminium front panel\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":42019929718964,"sku":"561023","price":2720.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/561023.jpg?v=1710300263"},{"product_id":"joe-meek-mc2","title":"Joe Meek mc2","description":"\u003cp\u003eThe Mc2 is a professional studio-quality stereo compressor in a compact half-rack format. Simple to use yet extremely powerful, the Mc2 will bring out the best in any line-level stereo material and give the gloss of a professional studio to all your performances. 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Discrete, Class A design and transformer-coupled circuits – used in the input, innovative bridge-driver design, sidechain and output stages ensured a totally unique sound. The original 2254 units are still sought after, decades after production stopped, and they remain one of the milestone pieces of studio equipment.\u003cbr\u003e\u003cbr\u003eForty years on, the 2254's successor, the Neve 2254\/R mono limiter\/compressor represents another milestone.\u003cbr\u003e\u003cbr\u003eNot only does it retain the original 2254's unique sonic characteristics – using the same architecture, matching components and original hand-wound transformers – but enhances it with the features that modern-day producers and engineers have asked for. Whereas the original, developed before outboard designs had been standardized, was roughly cubic in shape, the new 2254\/R comes in 1U 19” rack-mount form. And the new model allows settings to be saved and recalled using Neve Total RecallTM software via USB.\u003cbr\u003e\u003cbr\u003eThere’s also manual adjustment of Fast Attack Time, continuously variable between 100µS and 2mS. 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The Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition of EMI Limiters started in 1954 with the RS114 tube limiter and the 1968 RS168 Zener Limiter. The Zener Limiters were also part of the 1969 TG12345 console channel and the 1974 TG12413. This newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new full featured and flexible unit for modern use.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKey features:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSonic characteristics of the Fairchild 660 \u0026amp; the Altec 436\/RS124\u003c\/li\u003e\r\n\u003cli\u003eSwitchable input impedance for hard of soft driving of the unit\u003c\/li\u003e\r\n\u003cli\u003e11-position attack\u003c\/li\u003e\r\n\u003cli\u003e21-position release\u003c\/li\u003e\r\n\u003cli\u003eSide chain filtering\u003c\/li\u003e\r\n\u003cli\u003eComp 1, Comp 2 \u0026amp; limit settings\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":42020424417460,"sku":"497802","price":9364.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/chanlimit-tg-12413-1.jpg?v=1667959741"},{"product_id":"warm-audio-wa-2a","title":"Warm Audio WA-2A","description":"\u003cp\u003e\u003cspan\u003eTrue to its inspiration; Warm Audio's WA-2A boasts an all tube, completely discrete signal path with through-hole component topology. It also features custom, large-core Cinemag input and output transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell, considered by many to be the world’s finest. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic optical tube compressor. For decades, the renowned ‘2A type circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer. Welcome to the future of vintage!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKey features:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFaithful re-creation of the iconic LA-2A Leveling Amplifier in a 2RU chassis\u003c\/li\u003e\r\n\u003cli\u003eCompletely discrete, all-tube signal path:\u003cbr\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHistorically accurate four-tube circuit\u003c\/li\u003e\r\n\u003cli\u003eUS-made Cinemag input and output transformers\u003c\/li\u003e\r\n\u003cli\u003eCustom optical photocell\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eWarm Audio's 1-year warranty\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":42021092196532,"sku":"565102","price":1439.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/warmaudio-wa2a-1.jpg?v=1667969715"},{"product_id":"chandler-limited-rs124","title":"Chandler Limited RS124","description":"\u003cp\u003e\u003cspan\u003eThe Chandler Limited RS124 Compressor is a recreation of one of the most coveted audio valve compressors of all time, the legendary EMI\/Abbey Road RS124, reimagined for use in the modern studio environment.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe RS124’s undeniably smooth character and ability to tame transients without muffling the sound at steep compression levels, quickly became popular with Abbey Road Studios engineers and widely used throughout the now historic studio, for tracking, buss compression, mixing, and mastering. They where so integral to the recording and mixing process that a pair can be seen in almost every control room photo in Abbey Road Studios during the 60s period.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAvailable now, for the first time ever, the Chandler Limited RS124 Compressor harnesses the sound and personalities of Abbey Road Studios’ favorite historic RS124 Compressors (Ser. No’s 60070B, 60050A, and 61010B) still in use at the famed studio to this day, all in a single unit.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlong with features traditionally found on the original counterparts, Input control, Output attenuation, ‘Recovery’ (release) control and the unique ‘HOLD’ setting, the Chandler Limited RS124 Compressor includes modern facilities such as adjustable attack, selectable output impedance, and a special twist, dubbed the ‘SuperFuse’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBring home the sound of a legend reimagined for the modern era, today.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVariable Input and Output Attenuation controls\u003c\/li\u003e\n\u003cli\u003eAttack: selectable, stepped (9 settings)\u003c\/li\u003e\n\u003cli\u003eRecovery: selectable, stepped (6 settings, plus Hold)\u003c\/li\u003e\n\u003cli\u003e2U steel rackmount chassis\u003c\/li\u003e\n\u003cli\u003eXLR input and output, transformer-balanced (custom-wound)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 200\/600 ohms, switchable\u003c\/li\u003e\n\u003cli\u003eSuperFuse (switchable mode)\u003c\/li\u003e\n\u003cli\u003eHand-wired and assembled in Chandler's Shell Rock, Iowa, factory\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":42021162483892,"sku":"497822","price":5221.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/chanlimit-rs124-1.jpg?v=1667970396"},{"product_id":"golden-age-project-comp-3a","title":"Golden Age Project COMP-3A","description":"\u003cp\u003eThe COMP-3A is a one channel vintage style Compressor \/ Leveler. The signal path uses only discrete components like resistors, capacitors and transistors. The input and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available.The circuit used in the COMP-3A is based on a classic design that uses an electro-luminescent panel and a photoelectric cell to control gain. This gives the COMP-3A a unique, program dependent compression characteristics. In addition, the vintage style signal path adds a wonderful and musical character to the sound. The ease of use with only two main controls makes it very simple to achieve the desired sound. These attributes has made the original units a favourite of engineers and musicians worldwide.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVintage style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\r\n\u003cli\u003eTransformer balanced input and output. Can drive almost any load - balanced or unbalanced.\u003c\/li\u003e\r\n\u003cli\u003eSelectable output transformer loading resistors by an internal jumper, will affect the high end frequency response.\u003c\/li\u003e\r\n\u003cli\u003eUses a classic T4-style electro-optical attenuator to control gain with program dependent attack and release times.\u003c\/li\u003e\r\n\u003cli\u003eVery simple to operate with only two main controls, Gain and Peak Reduction.\u003c\/li\u003e\r\n\u003cli\u003eHF control can make the side-chain circuit more sensitive to mid and high frequency content.\u003c\/li\u003e\r\n\u003cli\u003eCompact 2RU half rack format. Two units can be mounted with our 19-inch rack kit, the UNITE BIG.\u003c\/li\u003e\r\n\u003cli\u003eExternal power supply to avoid interaction with the audio circuits and transformers.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":42021338022068,"sku":"561002A","price":905.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/561002A.jpg?v=1710213590"},{"product_id":"drawmer-1978","title":"Drawmer 1978","description":"\u003cp\u003eThe Drawmer 1978 builds on the success of the award winning 1973 multiband FET compressor and adorns an unparalleled array of controls to give complete mastering over your mix, and all in a deceptively simple 1U frame. In addition to the usual Ratio, Threshold, Attack and Release controls, the 1978 features four character switches offering a wide range of compression flavours, as well as a variable saturation control to add harmonic distortion to the signal. Side chain functionality is also included with side chain insert points on both channels and a very comprehensive and flexible Side Chain EQ section which offers LF and HF controls with a choice of specific shapes and frequencies for precise frequency-conscious compression such as de-essing. A wet\/mix control also allows you to blend the processed signal with the dry for parallel compression. In addition, a fast reacting Dual colour backlit VU Meter is employed to provide a visual indication of the amount of saturation added. Time delay relays are incorporated into the outputs to provide clean power-up and down with no pops or bangs, and a low hum toroidal linear power supply. The Drawmer 1978 is a truly flexible compressor made in the UK with high-quality components. The 1978 is a Buss Compressor like no other - compression with character, controlled distortion, tonal shaping, wet\/dry mixing - others have tried but have never managed to build a compressor that is this versatile and yet intuative. It's never been easier to get that elusive characteristic sound that sets you apart from the rest. Glue your mix, bring out the bass, control the highs, add warmth, distortion, smoothen, widen, sound less digital more analogue - and at a price that's right for even the smallest studio.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFast Reacting Stereo FET Design compressor with excellent Left\/Right Tracking across the Full Range of compression and in a 1u rack mount housing.\u003c\/li\u003e\r\n\u003cli\u003eThreshold, Ratio, Attack and Release controls and Gain Reduction Metering provide familiar and intuative control over the audio. Anyone that knows how to use a compressor can operate the 1978.\u003c\/li\u003e\r\n\u003cli\u003e4 character switches provide a multitude of compression flavour combinations that allow the 1978 to take on the characteristics of other compressors.\u003c\/li\u003e\r\n\u003cli\u003eA Saturation knob allows you to dial in variable amounts of 2nd and 3rd harmonic distortion, and under complete control.\u003c\/li\u003e\r\n\u003cli\u003eComprehensive side chain EQ giving simultaneous control of frequency and level of filtering for the low and high bands. This works in conjunction with the rear panel stereo insert points that provide even further control.\u003c\/li\u003e\r\n\u003cli\u003eVariable Wet\/Dry Mix plus Output Gain Knobs give a 'Parallel Compression' function without the need for external mixing devices, providing Complete and Effortless Control over the amount of compression used and Output Levels.\u003c\/li\u003e\r\n\u003cli\u003eTwo Analogue V.U. Meters with Switchable +10dB Meter Rescale Mode. These have additional dual colour backlighting that act as a visual indication for the amount of saturation.\u003c\/li\u003e\r\n\u003cli\u003eTime delay relays on outputs for clean power up\/down.\u003c\/li\u003e\r\n\u003cli\u003eInternal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.\u003c\/li\u003e\r\n\u003cli\u003eClassic Drawmer Build Quality with Rugged Steel Chassis and Aluminium Front Panel.\u003c\/li\u003e\r\n\u003cli\u003eDesigned and manufactured by Drawmer in the UK.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":42021496815796,"sku":"561028","price":1945.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/561028.jpg?v=1710207078"},{"product_id":"drawmer-1960","title":"Drawmer 1960","description":"\u003cp\u003eThere is little doubt in the minds of many engineers and producers that vacuum tubes possess a unique sound quality providing a \"warmer, more alive\" sound. Combining eight active tube stages and the low noise and reliability of solid state electronics, the Drawmer 1960 provides the ultimate direct interface between the sound source and the recording medium. The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding \"soft knee\" vacuum tube compressor and an extremely low noise microphone pre-amplifier with switchable 48 volt phantom power. A further auxiliary instrument pre-amp with EQ is also provided.\u003c\/p\u003e\r\n\u003cp\u003eThis powerful combination of the classic valve circuit, offering unsurpassed tonality, and the low noise balanced microphone input with up to 60dB of gain has allowed engineers throughout the world to exploit the full potential of high performance condenser microphones. An example of this would be the direct to digital stereo recording of live classical music without the necessity of a mixing console. The Compressor: Because the compressor is a soft knee type, it requires few controls. Strictly speaking, a soft knee design does not have a rigidly defined threshold but the title 'Threshold' has been retained for the \"amount of compression\" control for the sake of familiarity. The Threshold range is continuously variable between infinity and -24dB, the theory being that signals below the threshold are essentially unprocessed and the signals exceeding this threshold are subjected to increasing amounts of gain reduction dependent on by how much they exceed the threshold.The attack and release times are switchable rather than being continuously variable and this method of operation falls into line with that of its all valve predecessors. Attack simply offers a choice of slow, medium and fast whilst release has six settings.\u003c\/p\u003e\r\n\u003cp\u003ePositions one to four have fixed release times whilst positions five and six are two different programme dependent release time modes making the unit ideally suited to programme material with complex dynamics such as complete stereo mixes and vocals. Interestingly, the attack times are further modified by the choice of release setting so the range of choices are wider than it might first appear. Because compression is a form of controlled gain reduction, a stage of make-up amplification follows the compressor section giving a range of +20dB. The VU meters may be switched to monitor either the amount of gain reduction taking place or the output signal level and the two channels may be used either independently or as a stereo pair, depending on the setting of the stereo link switch.The side chain access points may be used to patch in equalisers to enable the compressor to act as a de-esser. As with other Drawmer products, the by-pass switch offers a choice of Normal, By-pass and Side Chain Listen modes so that if you have patched in any additional side chain processing, you can easily monitor what effect it is having. In addition to the balanced microphone and line inputs on the rear of the unit an auxiliary input on the front panel gives direct access for guitars or electronic instruments. Equalization is provided along with sufficient gain to overload the tube pre-amp for sustain effects. The Aux input is a valuable addition as it combines the virtues of a D.I. box and equalizer with the compressor allowing the instrument to be simultaneously processed and routed to the mixing console or directly to the recorder.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eConnectors: Mic\/Line Balanced XLR (Pin 2 +). Aux Input 1\/4 Jack (unbal.)\u003c\/li\u003e\r\n\u003cli\u003e2 Channel, 2 rack space vacuum tube compressor with mic\/line\/instrument preamp\u003c\/li\u003e\r\n\u003cli\u003eProprietary vacuum tube\/FET based discrete VCA\u003c\/li\u003e\r\n\u003cli\u003eClassic attack\/release curvers used in vintage compressors\u003c\/li\u003e\r\n\u003cli\u003eAuto ratio depending on signal attack slope (1:30 maximum)\u003c\/li\u003e\r\n\u003cli\u003eVU metering\u003c\/li\u003e\r\n\u003cli\u003eHigh gain switch for high impedence inputs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":42021497241780,"sku":"561029","price":3275.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/561029.jpg?v=1710206981"},{"product_id":"drawmer-1961","title":"Drawmer 1961","description":"\u003cp\u003eIt has long been recognized that vacuum tubes impart a unique 'warmth' and 'musicality' to an audio signal, but many of the 'classic' tube equalizers fall short of the technical performance demanded in today's digital recording age. Designed to complement the widely acclaimed Drawmer 1960 Mic Pre-Amp Vacuum Tube Compressor, the 1961 Vacuum Tube Equalizer combines low noise circuitry with no fewer than twelve active tube stages to provide two channels of exceptional equalization possessing unique 'personality'. Rather than employ a continuously variable resistor as a means of frequency control, the 1961 utilizes the same rotary 'step' switching system used in vintage designs . This enables the component values for each frequency band to be optimized for uncompromising performance across the entire audio spectrum and also makes setting up more accurate, particularly when treating stereo signals. The design of the 1961 allows the user to control the amount of 'warmth' by deciding how hard to drive the tubes giving a sound as 'clean' as the best discrete solid state designs or as 'hot' as the 'hottest' classic tube designs. The 1961 and 1960 Can be 'interlinked' to provide, in effect, a two channel vacuum tube mixing console, - the perfect mastering or post audio 'sweetening' tool.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eBalanced inputs and outputs on XLR connections.\u003c\/li\u003e\r\n\u003cli\u003eVariable input level of -20dB to +20dB\u003c\/li\u003e\r\n\u003cli\u003eHPF: 12dB\/Octave roll-off filter adjustable from - 15Hz to 500Hz\u003c\/li\u003e\r\n\u003cli\u003eEach channel of the 1961 has four main equalizer sections with six carefully chosen overlapping frequencies and a separate tube stage for increased harmonic clarity.\u003c\/li\u003e\r\n\u003cli\u003eLPF: A variable 12dB\/Octave roll-off filter adjustable from 2.5kHz to 56kHz\u003c\/li\u003e\r\n\u003cli\u003eBypass switch\u003c\/li\u003e\r\n\u003cli\u003eInsert point 1\/4\" jack connectors on the rear panel enable direct connection to the Side chain or Insert points of the Drawmer 1960 Mic Pre-Amp\/ Vacuum Tube Compressor.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":42021497798836,"sku":"561031","price":3765.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/561031.jpg?v=1710206433"},{"product_id":"dbx-266xs","title":"DBX 266XS","description":"\u003cp\u003eAdding a dbx® 266xs Compressor\/Limiter\/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound.\u003c\/p\u003e\r\n\u003cp\u003eHaving compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums.\u003c\/p\u003e\r\n\u003cp\u003eIt also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.\u003c\/p\u003e\r\n\u003cp\u003edbx knows compressors... after all we invented them!\u003c\/p\u003e\r\n\u003cp\u003eThe 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology.\u003c\/p\u003e\r\n\u003cp\u003eIts patented Overeasy® compression technology provides smooth and musical performance while the AutoDynamic™ attack and release controls, found only on dbx compressors, puts great sound within easy reach.\u003c\/p\u003e\r\n\u003cp\u003eThe 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1\/4\" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eFeatures:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eError proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes\u003c\/li\u003e\r\n\u003cli\u003eNew gate timing algorithms ensure the smoothest release characteristics\u003c\/li\u003e\r\n\u003cli\u003eProgram-adaptive expander\/gates\u003c\/li\u003e\r\n\u003cli\u003eGreat sounding dynamics control for any type of program material\u003c\/li\u003e\r\n\u003cli\u003eSeparate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup\u003c\/li\u003e\r\n\u003cli\u003eStereo or dual-mono operation\u003c\/li\u003e\r\n\u003cli\u003eBalanced inputs and outputs on 1\/4\" TRS and XLR connectors\u003c\/li\u003e\r\n\u003cli\u003eSide Chain insert\u003c\/li\u003e\r\n\u003cli\u003eClassic dbx® \"Auto\" mode\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":42021594890420,"sku":"564006","price":429.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/564006.jpg?v=1710205909"},{"product_id":"rupert-neve-designs-portico-5045","title":"Rupert Neve Designs Portico 5045","description":"\u003cp\u003e\u003cspan\u003eThe 5045 Primary Source Enhancer is a two channel device that is exceptionally useful at reducing feedback, effectively increasing the level a microphone can be raised before feedback occurs in a live sound environment by up to 20dB, without negatively impacting the sonic integrity of the source signal. With controls that are very simply laid out and generally require minimal adjustment, the 5045 is an invaluable tool for churches, stadiums, performance halls, or any venue where feedback is problematic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe 5045 shares some traits with conventional “noise gates”, but operates with a different principle. One common aspect is that both reduce the gain during the absence of signal – or more specifically, both begin to attenuate when the level of a signal falls below a certain user-defined threshold. The 5045 senses when someone is speaking or singing into the mic and allows the signal to pass through, and senses when the person has stopped talking or singing and reduces the gain appropriately, which helps reduce the tendency of a system to feed back. Most importantly, the 5045 does not require filtering and digital processing to achieve significant benefits.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll analogue design: The 5045 is built around custom transformers and doesn't introduce filtering and digital processing. The result of these analogue circuits is sonic performance that retains the integrity of the source material.\u003c\/li\u003e\r\n\u003cli\u003eSimplified controls: simplified use makes it ideal for environments without a full time engineer\u003c\/li\u003e\r\n\u003cli\u003eDepth control: sets how much attenuation is applied after the signal falls below where the “Threshold” is set. “0” implies zero attenuation and the 5045 won’t effect the signal gain\u003c\/li\u003e\r\n\u003cli\u003eThreshold: sets the level at which the PSE engages\u003c\/li\u003e\r\n\u003cli\u003eTime constant: sets how quickly the attenuation occurs\u003c\/li\u003e\r\n\u003cli\u003eRMS\/peak: the 5045 tends to return to normal level from attenuation faster\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":42021595152564,"sku":"497665","price":3380.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/rupertnevedesigns-portico-5045-1.jpg?v=1667982440"},{"product_id":"spl-iron-mk2","title":"SPL Iron MK2 Mastering Compressor","description":"\u003cp\u003eThe IRON Mastering Compressor combines the sonic benefits of legendary vintage tube compressors with the advantages of the SPL 120V technology in one device. The result is a pleasant, melodic-sounding, musical compression inspired by vintage compressors of the radio era, yet very flexible and perfectly adapted to the needs of modern mastering studios and productions.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIRON adds power, size and depth to any signal – without being obtrusive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIRON uses four tubes in its circuit. A parallel connected pair for each channel. To receive mastering grade sound and performance it is necessary to use the best tubes available. It is not only crucial to use perfectly matched tubes – they also need to stay true to their specs as long as possible. Therefore IRON is equipped with matched 12AU7 tubes, which get paired with preselected matched pairs of Wathen CryoTone™12AX7-WCM Long Plate tubes at SPL.\u003c\/p\u003e\n\u003cp\u003eWathen Audiophile’s CryoTone™ tubes are cryogenically treated tubes. Cryogenics is the study of how to get to low temperatures and of how materials behave when they get there. Cryogenic treatment modifies the molecular structure in electronic components by reducing or eliminating voids and imperfections in the material. Wathen utilizes a cryogenic treatment process that is specifically designed to maximize all aspects of the sonic performance in audio tubes. Wathen CryoTone™ Long Plate versions of the 12AX7-WCM have unequaled soundstage, depth and frequency balance. Silky, clear and large from top to bottom with the quietest noise floor and an extended life-span.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIRON combines the best of modern technology and vintage magic.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan\u003eKey Features:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003eTube compressor\/limiter with stereo and dual-mono modes\u003c\/li\u003e\n\u003cli\u003eFeatures 4 perfectly matched tubes in circuit for maximized sonic performance, unequaled soundstage, depth, and magnificent frequency balance\u003c\/li\u003e\n\u003cli\u003eSidechain inserts with XLR sockets\u003c\/li\u003e\n\u003cli\u003eAll controls are switches or detented knobs for easily repeatable results\u003c\/li\u003e\n\u003cli\u003eHigh 120-volt operating voltage for high headroom and ultra-low noise\u003c\/li\u003e\n\u003cli\u003eDial in everything from transparent to sonically colored compression\u003c\/li\u003e\n\u003cli\u003eExtremely musical, lively sound results from the control signal being limited internally\u003c\/li\u003e\n\u003cli\u003e4 built-in sidechain EQ curves to tailor compression response, or use your own external EQ\u003c\/li\u003e\n\u003cli\u003ePut a final polish on your mix with the built-in passive EQ with 2 selectable response curves\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":42021785567412,"sku":"497910","price":11999.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/SPL_IRON_MK2_Black.jpg?v=1770613201"},{"product_id":"golden-age-project-comp-2a","title":"Golden Age Project COMP-2A","description":"\u003cp\u003e\u003cspan\u003eThe COMP-2A is a one channel vintage style Compressor \/ Leveler using vacuum tubes in the signal and side-chain path. The input and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before transistors and integrated circuits became available.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIntegrated circuits are small and cheap and widely used in most modern designs. The drawback is that audio components built with modern technology doesn´t always provide the best perceived sound quality or the type of character that the modern user desires.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe circuit used in the COMP-2A is based on a classic design that was originally produced in the early 1960s and it was initially intended for broadcast applications. It uses an electro-luminescent panel and a photoelectric cell to control gain. This gives it a unique, program dependent compression characteristic. In addition, the all tube signal path and the transformers adds a wonderful and musical character to the sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe ease of use with only two main controls makes it very simple to achieve the desired sound. These attributes has made the original units a favourite of engineers and musicians worldwide. This classic sound is now available at a very affordable price point with the COMP-2A.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKey features:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVintage style all tube signal path. The tubes are fitted with grounded shields.\u003c\/li\u003e\r\n\u003cli\u003eTransformer balanced input and output. Can drive almost any load, balanced or unbalanced.\u003c\/li\u003e\r\n\u003cli\u003eGolden Age Project’s version of the classic optical unit using a long life electroluminescent panel and two carefully matched Silonex NSL5910 photoresistors for T4B-style electro-optical gain control with program dependent attack and release times.\u003c\/li\u003e\r\n\u003cli\u003eVery simple to operate with only two main controls, Gain and Peak Reduction.\u003c\/li\u003e\r\n\u003cli\u003eHF control can make the side-chain circuit more sensitive to mid and high frequency content.\u003c\/li\u003e\r\n\u003cli\u003eLinear low noise regulated filament and high voltage power supply.\u003c\/li\u003e\r\n\u003cli\u003eA big meter selectable to show gain reduction or output level at two different reference levels. \u003c\/li\u003e\r\n\u003cli\u003eHardwire bypass switch for easy comparisons.\u003c\/li\u003e\r\n\u003cli\u003eXLR and TRS input and output jacks for flexible connections.\u003c\/li\u003e\r\n\u003cli\u003eLink jack and switch for connecting to another unit for stereo operation.\u003c\/li\u003e\r\n\u003cli\u003eAll external controls located on the front panel.\u003c\/li\u003e\r\n\u003cli\u003eCompact 2RU half rack format. Two units can be mounted with our 19-inch rack kit, the UNITE BIG.\u003c\/li\u003e\r\n\u003cli\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":42021946196148,"sku":"5610022","price":1054.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/golden-age-comp-2a.jpg?v=1667992758"},{"product_id":"manley-stereo-variable-mu-limiter-compressor","title":"Manley Stereo Variable MU Limiter Compressor","description":"\u003cdiv\u003e\r\n\u003cp\u003eThe Manley Variable MU Limiter Compressor is one of the very few compressors that has become a real standard in Mastering studios and contributed to most hit records over the last decade and probably the next. \"Mu\" is tube-speak for gain, and Variable Mu is our registered trademark for this limiter compressor. It works by using the \"remote cut-off\" or re-biasing of a vacuum tube to achieve compression.\u003c\/p\u003e\r\n\u003cp\u003eThe precious vintage Fairchild 670 also uses this technique and is one of few all-tube compressor to do so, that we know of. Even the side-chain has glowing rectifier bottles. How’s it work? The unique 5670 dual triode is at the center of the peak-reducing and compression action constantly being re-biased by the vacuum tube rectified side-chain control voltages which cause this tube to smoothly change its gain. Just like that.\u003c\/p\u003e\r\n\u003cp\u003eThe COMPRESS mode is soft-knee 1.5 to 1 ratio while the sharper knee LIMIT mode starts at 4 to 1 and moves to a more dramatic ratio of 20 to 1 when limiting over 12dB. Interestingly, the knee actually softens as more limiting is used. Distortion can be creatively used by turning up the Input and turning down the Output while using very little or no compression. See the gain reduction curves here!\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/div\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMANLEY input \u0026amp; output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz\u003c\/li\u003e\r\n\u003cli\u003eBALANCED INPUTS \u0026amp; OUTPUTS (600 Ohms)\u003c\/li\u003e\r\n\u003cli\u003eFully differential ALL-TUBE circuitry using one each 5670, 5751 (or 12AX7), 7044 (or 5687), \u0026amp; 12AL5 per channel\u003c\/li\u003e\r\n\u003cli\u003eIndependently regulated B+ and Heater supplies\u003c\/li\u003e\r\n\u003cli\u003eHard-wire BYPASS switch\u003c\/li\u003e\r\n\u003cli\u003eStepped switch INPUT attenuator as of 10\/2011. (older units use Silent dual-ganged potentiometer)\u003c\/li\u003e\r\n\u003cli\u003eRECOVERY 5 steps\u003cstrong\u003e:\u003c\/strong\u003e 0.2s, 0.4s, 0.6s, 4sec., 8sec.\u003c\/li\u003e\r\n\u003cli\u003eVariable ATTACK\u003cstrong\u003e:\u003c\/strong\u003e 25msec-70msec\u003c\/li\u003e\r\n\u003cli\u003eContinuously variable THRESHOLD\u003c\/li\u003e\r\n\u003cli\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)\u003c\/li\u003e\r\n\u003cli\u003eHP SC\u003cstrong\u003e:\u003c\/strong\u003e High Pass Side Chain Filter -3dB @ 100Hz\u003c\/li\u003e\r\n\u003cli\u003eLarge ILLUMINATED Sifam METERS (older units before serial number MSLC61642 shipped before 12\/2003 use: 26V 1.2W FESTOON LAMPS; Manley's Part Number: VAR016B) Order spare bulbs using our parts order form. (newest units after serial number MSLC61642 shipped after 12\/2003 use white LED lighting)\u003c\/li\u003e\r\n\u003cli\u003eSTEREO LINK SWITCH\u003c\/li\u003e\r\n\u003cli\u003eSeveral units can be linked for Surround (custom order )\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":42022406389940,"sku":"497808","price":7498.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497808.jpg?v=1710196546"},{"product_id":"universal-audio-la-2a","title":"Universal Audio LA-2A","description":"\u003cp\u003eUniversal Audio LA-2A provides the performance characteristics of the iconic original. With painstaking care, every Universal Audio LA-2A unit is point-to-point handwired at Universal Audio's Custom Shop in Santa Cruz, California, with every component carefully evaluated for authenticity. As a result, today’s LA-2A will bring the same legendary compression characteristics of the original to all of your recordings. \u003c\/p\u003e\r\n\u003cdiv class=\"features__columns\"\u003e\r\n\u003cdiv class=\"features__item features__item--no-text\"\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan\u003eTrue to the original in design, manufacturing and performance\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003eLag free, distortion free optical attenuator system\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003eDistortion less than 0.5% THD\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003e0 to 40 dB gain limiting\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003eBalanced stereo interconnection\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003eFrequency response 1 dB, 30 to 15,000 cps\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003eOutput level of 10 dBm and 40 dB gain\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003eLow noise – less than 70 dB below ±10 dBm output\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":42023548977332,"sku":"564401","price":10198.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/universal-audio-la-2a-1_1.jpg?v=1668020702"},{"product_id":"heritage-audio-ha73-elite","title":"Heritage Audio HA73 Elite","description":"\u003cp\u003eThe Heritage Audio the HA73 Elite single channel microphone preamp is made to the same specifications as the acclaimed ´73JR and DMA73 Heritage Audio models at a price never heard before. Leveraging time-consuming hand soldered series, HA is able to offer a zero compromise, high quality yet very affordable alternative to the growing entry-level brands.\u003c\/p\u003e\r\n\u003cp\u003eA combination of mass production, lean manufacturing and modern construction techniques, minimizes hand labor and therefore its high associated costs when manufacturing takes place in Western Europe. By passing the savings straight into the end users´ pockets, Heritage Audio releases the most affordable outboard preamps and equalizers in its class up to date.\u003c\/p\u003e\r\n\u003cp\u003eKey components to obtain a true vintage sound are indeed maintained, like the industry standard Carnhill transformers, hand wound in St Ives, England. Manufactured in the same Spanish facilities as the rest of the HA line of products, the rack mountable HA73 Elite presents the classic sounding recording preamp that, for generations, has been regarded for its rich, musical qualities and its ability to dramatically improve the sound of almost any source.\u003c\/p\u003e\r\n\u003cp\u003eFurther, it includes the same exact great sounding JFET DI circuit found in the ´73JR and a fully discrete class A high pass filter.\u003c\/p\u003e\r\n\u003cp\u003eWith 80 dB of available gain and dedicated mic, line, and instrument inputs; the HA73 Elite has everything you need to bring microphones and instruments to life with vintage vibe and thickness.\u003c\/p\u003e\r\n\u003cp\u003eThe HA73 Elite features gain, output trim, -20db pad, polarity reverse, a high pass filter, and +48v phantom power.  It comes housed in a rugged 1RU British steel chassis and utilizes an external power supply for low noise operation.  The HA73 features Carnhill input and output transformers, high quality pots and switches, and best of all is 100% made by Heritage Audio.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"wpb_text_column wpb_content_element \"\u003e\r\n\u003cdiv class=\"wpb_wrapper\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMicrophone input impedance: HI, 1200 Ohm minimum, LO, 300 Ohm minimum. Higher gain positions gradually have greater impedances, optimum for low gain ribbon mics. Input is transformer balanced and floating.\u003c\/li\u003e\r\n\u003cli\u003eLine input impedance: 10KOhms bridging, transformer balanced and floating.\u003c\/li\u003e\r\n\u003cli\u003eOutput impedance: Less than 75 Ohms, transformer balanced and floating, to drive a load of 600 Ohms.\u003c\/li\u003e\r\n\u003cli\u003eMaximum output: Greater than +26.5dBu into 600 Ohms (internally terminated)\u003c\/li\u003e\r\n\u003cli\u003e• THD: Less than 0.025% at 1Khz, Less than 0.05% at 100Hz.\u003c\/li\u003e\r\n\u003cli\u003eFrequency response :20Hz (+0.3dB) to 20Khz (-0.2dB).\u003c\/li\u003e\r\n\u003cli\u003eMaximum Gain: Slightly greater than 80dB.\u003c\/li\u003e\r\n\u003cli\u003eEquivalent Input Noise: Less than -125dBu.\u003c\/li\u003e\r\n\u003cli\u003eOutput stage noise: Less than -100dBu.\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: Less than 95 mA @48VDC.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":42024004059316,"sku":"497833","price":1142.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/heritage-audio-ha73-1_1.jpg?v=1710135859"},{"product_id":"shadow-hills-dual-vandergraph","title":"Shadow Hills Dual Vandergraph","description":"\u003cp\u003eThe Shadow Hills Dual Vandergraph is a direct descendant of the Shadow Hills Mastering Compressor and maintains its reputation of unquestionable quality and exceptional performance. It’s inner workings are developed from the discrete gain cells of the Mastering Compressor which are combined with the Optograph’s extremely flexible Sidechain Filter matrix. This combination provides great possibilities for new recording techniques and the dynamic control.\u003c\/p\u003e\n\u003cp\u003eThis stereo compressor’s fully discrete audio path is Class-A and features Shadow Hills’ custom Iron Transformers.\u003c\/p\u003e\n\u003cp\u003eJust like the Mastering Compressor, the Compression and Output Level controls are Swiss made twenty-four position attenuators. The Ratio switch, selects between: 1.2: 1, 2.5: 1, 4: 1, 8: 1.\u003c\/p\u003e\n\u003cp\u003eIn addition to changing ratios, each selection changes preset attack and recover times.\u003c\/p\u003e\n\u003cp\u003eThe Sidechain Filter Matrix controls the frequency sensitivity of the side-chain. The positions are: 90 hertz, 150 hertz, 250 hertz and Bandpass.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance 20k\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMinimum load impedance 600 ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStereo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFully Class-A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDiscrete audio path\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDiscrete gain cells from Mastering Compressor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSidechain Filter Matrix from Optograph\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSwiss made discrete attenuators\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMilitary Spec build quality\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMeets the specifications of the VPR Alliance\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003ePSU NOT included\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shadow Hills","offers":[{"title":"Default Title","offer_id":42024733900980,"sku":"565121","price":4654.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/shadow-hills-dual-vandergraph-1.jpg?v=1668037415"},{"product_id":"black-lion-audio-bluey-compressor","title":"Black Lion Audio Bluey Compressor","description":"\u003cp\u003eThe Black Lion Audio “Bluey” is a modified “Blue Stripe” compressor based off of the “golden” unit owned by Chris Lord-Alge. When certain components became unavailable, techs were forced to change the circuit, creating a one of a kind compressor that has been heard on countless hits.\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAny audio engineer worth their weight in gear will tell you about the special moments that occur on records by chance. We’re talking about the magic you can’t plan. It must occur organically, being comprised of sheer randomness or even flat out mistakes. For instance, the spontaneous banter from a vocalist in between takes that adds character to a track, or a radical new audio effect discovered through a simple routing mistake.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe same good fortune sometimes shines upon a piece in the vintage gear world. Through decades of maintenance and repair, some units, like wine, get better with time. The scarcity of original parts leads technicians to diverge from the original design, creating an improved, one-of-a-kind, modified unit.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eArmed with an impeccable ear, decades of experience, and an abundance of coveted gear, legendary mix engineer, Chris Lord-Alge, was able to recognize one of his four 1176 Blue Stripe units as firmly sitting in this distinctive category. The particular unit, dubbed “Bluey,” has a special “mojo” to it that shines on vocal tracks like no other.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eChris desired more channels of this golden unit, and reached out to the guys who know modifications best – the team at Black Lion Audio! Intrigued by Chris’ praise of the unit, head design engineer, Jesus Ortiz, boarded a plane from Chicago to LA to discover what gave this Blue Stripe its edge. He found a series of mods done to the unit over the years to keep it working that miraculously cumulated in a uniquely beast-like 1176! BLA analyzed the unit with pain-staking detail, and has, in conjunction with Chris Lorde-Alge, recreated the monster, now known as the new Black Lion Audio “Bluey!”\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eKey Features:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan\u003eFully discrete design\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003eThrough hole components\u003c\/li\u003e\r\n\u003cli\u003ePolyester capacitors\u003c\/li\u003e\r\n\u003cli\u003eVintage inspired one-sided PCB layout\u003c\/li\u003e\r\n\u003cli\u003eCinemag remake of original UTC transformer\u003c\/li\u003e\r\n\u003cli\u003eWet\/Dry mix feature\u003c\/li\u003e\r\n\u003cli\u003eLinear power supply\u003c\/li\u003e\r\n\u003cli\u003ePrecise meter calibration\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":42024783478964,"sku":"565023","price":1633.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/565023.jpg?v=1710127735"},{"product_id":"heritage-audio-ha-609a","title":"Heritage Audio HA-609A","description":"\u003cp\u003eThe Heritage Audio HA609A is a classic stereo\/dual-mono compressor and limiter. Its circuitry is completely Class-A, it contains 3 transformers per channel from the noble manufacturers Carnhill and St. Ives and the Make Up gain is based on the circuitry of the Neve 1073 preamp. The limiter and compressor of the Heritage Audio HA609A can be switched on separately for each channel, and attack and release are also adjusted separately. The attack time is program dependent by default, but can be switched to Fast for material with heavy transients.\u003c\/p\u003e\r\n\u003cp\u003eThe Heritage Audio HA609A is also suitable for all stages of production, from recording to mastering, thanks to its appropriately selected ratios. It is an all-rounder on single tracks, busses or the stereo sum, and allows smooth sound processing up to extreme pumping. However, it always gives the material the typical British, silky sound. After all, all controllers are either rotary switches or grid potentiometers, so that settings can be easily reproduced using notes.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul class=\"list_22p_DbxsLr4MV-m3EOA_5T\"\u003e\r\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eSelectable Stereo or Dual-Mono Operation\u003c\/li\u003e\r\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eThree Carnhill Transformers per Channel\u003c\/li\u003e\r\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eStandard and Fast Attack Times\u003c\/li\u003e\r\n\u003cli class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\" data-selenium=\"sellingPointsListItem\"\u003eTrue Bypass per Channel\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":42024792162484,"sku":"497839","price":3207.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/heritage-audio-ha-609a-1.jpg?v=1668040142"},{"product_id":"se-electronics-dm1-dynamite","title":"sE Electronics DM1 Dynamite","description":"\u003cdiv id=\"block-40b5e95d7b1b597ac87e\" class=\"sqs-block markdown-block sqs-block-markdown\" data-block-type=\"44\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp id=\"the-span-data-preserve-html-node-true-style-color-b5121b-dm1-dynamite-span-explosive-level-for-all-your-passive-mics-\"\u003e\u003cstrong\u003eThe \u003cspan data-preserve-html-node=\"true\"\u003eDM1 DYNAMITE\u003c\/span\u003e\u003c\/strong\u003e: explosive level for all your passive mics.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-67d25d5e91246812764e\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\"\u003e\n\u003cp\u003eSome mics need a LOT of gain - and not all preamps are up to the challenge. The DM1 DYNAMITE is an ultra-slim active inline preamp that fits seamlessly between your mic and mic pre, providing a massive +28dB of clean, transparent gain for all your dynamic and passive ribbon microphones - perfect for podcasting, recording, or live sound.\u003c\/p\u003e\n\u003cp class=\"sqs-block-content\"\u003eWhether you’re a podcaster, recording engineer, or running live sound, the DM1 is the perfect way to boost the signal from a passive mic, reduce the likelihood of interference, and provide significantly improved level to your preamp – all without adding noise or coloration. Its output impendence is also the lowest in its class, allowing it to drive long cable runs while reducing susceptibility to RF interference, buzz and hum.\u003c\/p\u003e\n\u003cp\u003eReliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy and slim all-metal design, robust construction, and high-quality manufacturing standards.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":42024858747060,"sku":"565119","price":165.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/SE_DM1.jpg?v=1732244097"},{"product_id":"heritage-audio-successor-buss-compressor","title":"Heritage Audio Successor Buss Compressor","description":"\u003cp\u003eA fully Carnhill transformer coupled input and output unit, the new Successor is a true stereo diode-bridge based bus compressor with advanced sidechain filtering and built-in parallel processing capabilities, sharing the class A ´73 type output stage that Heritage Audio is famous for.\u003c\/p\u003e\r\n\u003cp\u003eBased on legendary vintage diode bridge designs, it keeps the sonic character of such units, but the added features make it a new beast on its own and will make your mixes shine in modern production environments. Ultra-fast attack and releases allow for larger than life drum bus compression sounds, while the complex sidechain filter lets you tailor your mix in ways not previously available.\u003c\/p\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":42025166799028,"sku":"497837","price":2847.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/heritage_audio_successor_front_76539.1595852978.jpg?v=1668053930"},{"product_id":"black-lion-audio-seventeen-compressor","title":"Black Lion Audio Seventeen Compressor","description":"\u003cp\u003eThe Seventeen is not the ’76 compressor that your grandfather recorded with. It isn’t even a remake but rather the Black Lion spin on what the ’76 Should have been. Designed in conjunction with hitmaker Tobias Lindell and featuring a redesigned and improved IC based front end, the Seventeen shows incredible detail and nuance normally not possible with this style compressor. This new front end circuit is coupled with our custom designed, made in Chicago output transformer, designed to give this unit a huge bottom end that balances out the open top end very nicely. We also include our proprietary Black Lion style power decoupling for an incredibly low noise floor. The Seventeen also uses high grade nichicon signal capacitors, widely considered some of the highest quality caps available.\u003c\/p\u003e\r\n\u003cp\u003eNever the ones to settle for “good enough,” we have added features that users normally consider as upgrades or mods including, a frequency adjustable side chain, separate selectable high and low pass filters, a wet\/dry mix knob to allow users to blend in dry signal into their compressed signal, the Seventeen has a palette of tones not available to anything else on the market today. It also includes the all important stereo link function for linking together two units.\u003c\/p\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":42025171746996,"sku":"565001","price":1208.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/bla_17_2.jpg?v=1668054133"},{"product_id":"ssl-fusion","title":"SSL Fusion","description":"\u003cp\u003eThe SSL Fusion is an all-analogue 2U stereo outboard processor created for the modern hybrid studio. 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Fusion expands the processing palette for hybrid studio owners and is a superb partner for the SSL Stereo Bus Compressor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003eA master processor with 5 new SSL analog color circuits\u003c\/li\u003e\n\u003cli\u003eVintage Drive — a unique nonlinear saturation circuit designed to bring that cherished gradual analog overload sound you get from pushing vintage equipment into the sweet spot\u003c\/li\u003e\n\u003cli\u003eViolet EQ — a 2-band, minimum-phase-shift shelving EQ offering instant low-end weight and gorgeous high-end air; 4 fixed frequency points for each band with ±9dB boost\/cut\u003c\/li\u003e\n\u003cli\u003eHF Compressor — high-frequency compressor optimized for smooth taming of brittle high end\u003c\/li\u003e\n\u003cli\u003eStereo Image — a built-in M-S circuit that allows sumptuous sculpting of the side signal for wider mixes with increased depth\u003c\/li\u003e\n\u003cli\u003eSSL Transformer — a custom SSL design that introduces subtle low-frequency harmonics for added weight, with a touch of added transformer sparkle in the highs\u003c\/li\u003e\n\u003cli\u003eAccess the hidden Listen Mic Compressor processor to add impact and energy to drums, vocals, and guitars\u003c\/li\u003e\n\u003cli\u003eOnboard Insert Point with Stereo and M-S operation\u003c\/li\u003e\n\u003cli\u003e3rd-order HPF (highpass filter) to eliminate unwanted low end\u003c\/li\u003e\n\u003cli\u003eSuperAnalogue ±12dB center-indented Input and Output Trim controls for optimized gain staging\u003c\/li\u003e\n\u003cli\u003eIndividual Bypass switches for each circuit to compare sounds with each circuit engaged\/disengaged\u003c\/li\u003e\n\u003cli\u003eMaster Bypass switch with two modes of operation: complete bypass (Red) and bypass that includes the Input Trim control (White)\u003c\/li\u003e\n\u003cli\u003eMaster LED meter with 3-second peak hold segments switches from output to input metering upon pressing the Bypass switch\u003c\/li\u003e\n\u003cli\u003eInput clipping O\/L LEDs that are triggered at +27dBu\u003c\/li\u003e\n\u003cli\u003eBalanced XLR I\/O throughout for professional studio integration\u003c\/li\u003e\n\u003cli\u003eEnhanced dot-dash screening around controls for clarity and easy recall\u003c\/li\u003e\n\u003cli\u003eAdjustable front-panel meter and switch brightness to match the vibe of your studio environment\u003c\/li\u003e\n\u003cli\u003eIncludes 120V (North America) and 100V (Japan) power cables\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":42025267364020,"sku":"873268","price":2999.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/ssl-fusion-1.jpg?v=1668059889"},{"product_id":"soyuz-the-launcher","title":"Soyuz The Launcher","description":"\u003cp\u003eThe Launcher is the culmination of years of beta testing and feedback from real musicians and engineers around the world. 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There’s nothing like running a signal through a well-designed piece of analog gear, at “unity” gain without any “processing” applied at all. Simply exploiting the sound of some of these analog input and output gain circuits is often-times just the thing to bring subtle life or organic size and depth to recorded audio. 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