{"title":"Signal Processing","description":"Fine-tune your studio sound with Turramurra Music's signal processing toolkit. Discover 500 series modules, mic preamps, compressors, EQs, and effects for ultimate sonic control.\u003cbr data-mce-fragment=\"1\"\u003e","products":[{"product_id":"behringer-mic22001","title":"Behringer MIC2200","description":"\u003cp\u003e\u003cb\u003eBehringer Ultragain Pro MIC2200\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003eAudiophile Vacuum Tube Microphone\/Line Preamplifier\u003c\/p\u003e\n\u003cp\u003eTubes can really warm up a signal fast, giving it increased depth and character. Though transistors have succeeded the technology, many musicians agree that tubes deliver a far superior sound.\u003c\/p\u003e\n\u003cp\u003eA true audiophile 2-channel Mic\/Line preamplifier, the Ultragain Pro MIC2200’s hand-selected 12AX7 vacuum tube gives everything from microphones to acoustic or bass guitars that vintage tube vibe in a dependable and highly-affordable package.\u003c\/p\u003e\n\u003cp\u003eThe onboard fully parametric EQs provide unparalleled tonal characteristics, allowing you to sculpt instrument and vocal sounds with the ultimate precision and musicality.\u003c\/p\u003e\n\u003cp\u003eThe MIC2200 is ideally-suited for use with standard digital recorders and sound cards, imbuing signals with the warmth, presence and classic tube-compression that will bring your digital tracks to life.\u003c\/p\u003e\n\u003cp\u003eThe incredible MIC2200’s controls consist of: switches for +48 V phantom power, Phase Reverse, Lo Cut, EQ Frequency range and EQ In\/Out; plus Mic Gain, Lo Cut Frequency, Octave Bandwidth, Level and Output knobs.\u003c\/p\u003e\n\u003cp\u003eA 12-segment LED meter provides accurate monitoring of output levels. And when used as a high-end DI (Direct Injection) box in the studio or on the stage, the MIC2200 delivers flawless performance and outstanding signal integrity.\u003c\/p\u003e\n\u003cp\u003eFor further tone conditioning, the MIC2200 features a fully parametric EQ with adjustable center Frequency, Bandwidth and Level per channel. Both channels also feature independent phase reverse switches for maximum versatility.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKey Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUltra-low noise discrete microphone\/line preamplifier with hand-selected 12AX7 tube for ultra-musical sound\u003c\/li\u003e\n\u003cli\u003eMic input stage based on discrete, conjugate transistor pair circuitry\u003c\/li\u003e\n\u003cli\u003eUltra-wide bandwidth from 10 Hz to 200 kHz for “open” sound\u003c\/li\u003e\n\u003cli\u003eIntegrated fully parametric EQs with dedicated center frequency, bandwidth and level controls\u003c\/li\u003e\n\u003cli\u003eIndependent line driver for converting -10 dBV into +4 dBu pro level\u003c\/li\u003e\n\u003cli\u003eSoft-mute +48 V phantom power to avoid switch-on thumps\u003c\/li\u003e\n\u003cli\u003eFully tunable and switchable 12 dB high-pass filter\u003c\/li\u003e\n\u003cli\u003eSwitchable phase reverse for correcting phase-related problems\u003c\/li\u003e\n\u003cli\u003eAccurate 12-segment LED metering for output level\u003c\/li\u003e\n\u003cli\u003eServo-balanced inputs and outputs with 1\/4\" TRS and gold-plated XLR connectors\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":42014968119476,"sku":"497224P","price":309.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/behringer-MIC2200.jpg?v=1728006063"},{"product_id":"art-pro-audio-tube-mp-studio-v3","title":"ART Pro Audio Tube MP Studio V3","description":"\u003cp\u003e\u003cspan\u003eThe Tube MP Studio V3 delivers warmth and fatness to any audio source while maintaining an exceptionally low-noise signal path. While its primary function is as a microphone preamp with +48V phantom power, variable gain and phase reverse switching, the Tube MP is also an exceptionally versatile tube driven direct box for any instrument source.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Tube MP Studio V3 uses ART's proven V3 (Variable Valve Voicing) Technology to instantly contour the tone to any source. V3 presets were created and fine-tuned by some of the industry's top studio and live-sound engineers and allow instant access to a multitude of preamp settings designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals and more. Additionally, the Tube MP Studio V3 employs OPL (Output Protection Limiting) technology to protect the next component in your signal path from clipping and overloads.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Tube MP Studio V3 offers exceptional sound quality and superior performance to that typically found in \"on-board\" preamps found in today's low-cost mixers, multi-track recorders and audio cards making it an ideal tone-shaping tool for any application.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProvides superior preamplification for microphones, instruments \u0026amp; line level sources\u003c\/li\u003e\n\u003cli\u003eV3 - Variable Valve Voicing\u003c\/li\u003e\n\u003cli\u003eOPL - Output Protection Limiting\u003c\/li\u003e\n\u003cli\u003eHand selected 12AX7A provides 70dB of gain smooth, warm \u0026amp; fat sound quality\u003c\/li\u003e\n\u003cli\u003eVariable input \u0026amp; output gain controls\u003c\/li\u003e\n\u003cli\u003eExcellent as a tube DI\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; 1\/4\" inputs \u0026amp; outputs\u003c\/li\u003e\n\u003cli\u003e+48 Volts of phantom power\u003c\/li\u003e\n\u003cli\u003ePhase reversal switch\u003c\/li\u003e\n\u003cli\u003ePortable, all steel construction\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ART Pro Audio","offers":[{"title":"Default Title","offer_id":42014971789492,"sku":"562051","price":289.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/art-tube-mp-studio-1.jpg?v=1667880416"},{"product_id":"behringer-di4000","title":"Behringer DI4000","description":"\u003cp\u003eThe DI4000 gives you four first-class DI channels in one rack space.\u003c\/p\u003e\n\u003cp\u003eWith two inputs (XLR and 1 \/4 \" TRS), a balanced output (XLR) and a 1 \/4 \" link output per channel, up to 40 dB of switchable input attenuation and up to 20 dB of gain, the DI4000 is equipped to deal with virtually any input signal, while our OT-1 output transformers ensure clean, powerful output.\u003c\/p\u003e\n\u003cp\u003eDirect Injection (DI) boxes make it possible to connect guitars, basses and keyboards (as well as other line-level devices) to audio mixers and recorders.\u003c\/p\u003e\n\u003cp\u003eThe DI4000 takes the DI box to the next level with a special 8 kHz High-Cut filter per channel for guitar applications, along with a Phase Reverse switch for optimal signal alignment.\u003c\/p\u003e\n\u003cp\u003eAdditionally, our DI4000 active DI features “buffered” inputs that respect your source signal much better than passive DI boxes can – outputting optimally-balanced, extremely low-impedance (600 O) signals that are far less susceptible to noise and RF Interference (RFI)\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKey Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional and multi-purpose 4-channel direct injection box for stage and studio applications\u003c\/li\u003e\n\u003cli\u003eProvides impedance and signal matching for the direct connection of instruments to mixers and amplifiers\u003c\/li\u003e\n\u003cli\u003eUltra-flat frequency response due to renowned BEHRINGER OT-1 transformers\u003c\/li\u003e\n\u003cli\u003eAllows direct connection to speaker outputs with up to 3,000 Watts\u003c\/li\u003e\n\u003cli\u003e+20 dB gain switch for preamplification of low-level signals\u003c\/li\u003e\n\u003cli\u003eSwitchable input attenuation allows input levels of up to +40 dB\u003c\/li\u003e\n\u003cli\u003ePhase Reverse switch allows you to instantly correct phase problems\u003c\/li\u003e\n\u003cli\u003eSwitchable High-cut filter (8 kHz) for guitar applications\u003c\/li\u003e\n\u003cli\u003eGround Lift switch eliminates typical ground loop problems\u003c\/li\u003e\n\u003cli\u003eAccurate 8-segment LED level meter for optimum performance\u003c\/li\u003e\n\u003cli\u003e1\/4\" TRS and gold-plated XLR connectors\u003c\/li\u003e\n\u003cli\u003eIlluminated switches enable perfect operation in dark stage environments\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":42018227126452,"sku":"497215","price":259.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497215.jpg?v=1715142088"},{"product_id":"behringer-di800-v2","title":"Behringer DI800 V2","description":"\u003cp\u003eThe Behringer Ultra-DI PRO DI800 is a professional mains\/phantom powered 8-channel DI-box. It converts unbalanced line inputs into balanced outputs, featuring optional mains or phantom powered operation.\u003c\/p\u003e\n\u003cp\u003eIts servo balanced operation assures ultra-flat frequency response. Additionally, it allows direct connection to speaker outputs with up to 3,000 Watts. A ground lift switch as well as input attenuation\/gain per channel round off this powerful device.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKey Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional and multi-purpose 8-channel direct injection box for stage and studio applications\u003c\/li\u003e\n\u003cli\u003eProvides impedance and signal matching for the direct connection of instruments to mixers and amplifiers\u003c\/li\u003e\n\u003cli\u003eUltra-flat frequency response due to servo-balanced operation\u003c\/li\u003e\n\u003cli\u003eOptional mains or phantom-powered operation\u003c\/li\u003e\n\u003cli\u003eAllows direct connection to speaker outputs with up to 3,000 Watts\u003c\/li\u003e\n\u003cli\u003e+20 dB gain switch for pre-amplification of low-level signals\u003c\/li\u003e\n\u003cli\u003eSwitchable input attenuation allows input levels of up to +40 dB\u003c\/li\u003e\n\u003cli\u003eGround Lift switch eliminates typical ground loop problems\u003c\/li\u003e\n\u003cli\u003eLink output for easy connection to further equipment\u003c\/li\u003e\n\u003cli\u003e1\/4\" TRS and gold-plated XLR connectors\u003c\/li\u003e\n\u003cli\u003eIlluminated switches enable perfect operation in dark stage environments\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":42018228207796,"sku":"497239","price":219.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497239-2.jpg?v=1710312141"},{"product_id":"manley-massive-passive","title":"Manley Massive Passive","description":"\u003cp\u003e\u003cspan\u003eThe MASSIVE PASSIVE is a two channel, four band equalizer, with additional high pass and low pass filters. \"Passive\" refers to the tone shaping part of this clever new EQ design not using any active circuitry.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCreating natural, organic, acoustic tone can only be done with an equalizer that treats the signal with natural methods. The Massive Passive uses simple passive components and exploits their natural qualities rather than forcing a complex circuit to meet an arbitrary clinical or scientific goal. Manley knows that recording and mastering equalizers are used by artists for artistic goals and we balanced this design with a little more art than science. The Massive Passive is intended both for the most radical EQ sometimes needed for tracking as well as the most subtle shadings for vocals and mastering. It is designed to be a fundamentally different EQ but incorporates the best strengths of Pultecs, choice console EQs, parametrics and graphics. The difference is that the Massive allows twice as much EQ with half the coloration. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll-Passive tone sculpting circuitry \u003c\/li\u003e\r\n\u003cli\u003eUnique Shelf curves use the \"bandwidth\" control \u003c\/li\u003e\r\n\u003cli\u003eOverlapping \u0026amp; Interleaved Frequency choices \u003c\/li\u003e\r\n\u003cli\u003eEvery band switchable to shelf or bell \u003c\/li\u003e\r\n\u003cli\u003eVacuum tube make-up gain \u0026amp; line drivers \u003c\/li\u003e\r\n\u003cli\u003eParallel symmetrical topology \u003c\/li\u003e\r\n\u003cli\u003ePremium components throughout \u003c\/li\u003e\r\n\u003cli\u003ePassive HP \u0026amp; LP Filters plus gain trims\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":42018335195316,"sku":"497809","price":8499.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/manley-massivepassive-1.jpg?v=1667934156"},{"product_id":"focusrite-isa-428-mkii","title":"Focusrite ISA 428 MkII","description":"\u003cp\u003eThe Focusrite ISA 428 MkII incorporates four of Focusrite’s renowned mic pres in a simple-to-operate 2U enclosure, placing four mic preamps, instrument inputs and line ins at your fingertips. The original Focusrite mic pre was designed to suit the microphones of the time; today’s model makes one small change, adding three additional input impedances to the classic ISA110 setting, allowing you to match any microphone, old or new, and access a wide range of sounds, from the character and warmth of a vintage mic to the clear transparency of a modern design. Or you can experiment and bring out just the qualities you want.Microphone preamplifiers lie at the root of the Focusrite family tree. Back in 1985, when Sir George Martin asked console design legend Rupert Neve to design new modules for AIR Studios, the Input Signal Amplifier, or ISA – the mic pre – was the first. That design was the foundation of Focusrite’s benchmark Red range, and its descendants form the ISA series available today.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e4 classic transformer-based preamps\u003c\/li\u003e\r\n\u003cli\u003eSwitchable impedance for unparalleled mic matching or extended mic creativity\u003c\/li\u003e\r\n\u003cli\u003eIncludes the classic ISA 110 setting\u003c\/li\u003e\r\n\u003cli\u003eMultiple direct instrument inputs on the front panel\u003c\/li\u003e\r\n\u003cli\u003eAnalog insert points on every channel\u003c\/li\u003e\r\n\u003cli\u003eHighpass filters on every channel\u003c\/li\u003e\r\n\u003cli\u003eUltra-precise LED metering (dBfs)\u003c\/li\u003e\r\n\u003cli\u003e2U chassis design\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":42018340143284,"sku":"497613","price":3359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497613.jpg?v=1710311939"},{"product_id":"empirical-labs-el-8-distressor-stereo","title":"Empirical Labs EL-8 Distressor Stereo","description":"\u003cp\u003e\u003cspan\u003eThe Distressor is the product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBesides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This “warmth” or “vintage sound” has become a major issue in the last few decades, as the super clear and linear digital technology does next to nothing to soften “harsh” sounds, nor emphasize the bass frequencies in music sources. Conversely, older analog tape, vinyl records and tube equipment could not be prevented from coloring the sound, often to the frustration of recording engineers.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOffers a warm, vintage sound by using a custom designed gain control circuit\u003c\/li\u003e\r\n\u003cli\u003e8 of the Distressor’s curves are unique and distinctive\u003c\/li\u003e\r\n\u003cli\u003e3 modes that color the signal, even without compression:Basic distortion modeDistort 2 - emphasizes tube-like 2nd order harmonicsDistort 3 - dominated by 3rd harmonics more closely resembling tape\u003c\/li\u003e\r\n\u003cli\u003e2 HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":42018359673012,"sku":"565025S","price":4831.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/565025S.jpg?v=1710311885"},{"product_id":"empirical-labs-el-7x-fatso","title":"Empirical Labs EL-7X Fatso","description":"\u003cp\u003e\u003cspan\u003eThe FATSO (Full Analog Tape Simulator and Optimizer) is a digitally controlled analog device that gives musicians and engineers easy access to many of the desirable characteristics exhibited by older tube and Class A electronics and magnetic tape mediums. 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The ISA 828 gives you a variable impedance circuit with several settings, and also includes eight line\/four instrument inputs with high and low impedance options. Using 25-pin D-type connectors, this preamp is easy to interface with Pro Tools HD rigs, as well as many other recording systems and mixing consoles.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMicrophone preamplifiers lie at the root of the Focusrite family tree. Back in 1985, when Sir George Martin asked console design legend Rupert Neve to design new modules for AIR Studios, the Input Signal Amplifier, or ISA – the mic pre – was the first. 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A modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of its kind. An exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future.\u003c\/p\u003e\r\n\u003cp\u003eEach design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it.\u003c\/p\u003e\r\n\u003cp\u003e100 Unique reverb presets Revolutionary new reverb algorithmTrue Stereo Reverb Process Classic and new Presets; Halls, Plates,Rooms, Chambers, Ambient Spaces 12 Parametric Program Parameters 100 User registers 4 Front panel “Favorites” for quick saves and compares\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHardware Design Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDual Dedicated Power Supplies\u003c\/li\u003e\r\n\u003cli\u003eCustom design toroidal transfomer\u003c\/li\u003e\r\n\u003cli\u003elinear supply for analog\u003c\/li\u003e\r\n\u003cli\u003eHigh performace switching supply for digital\u003c\/li\u003e\r\n\u003cli\u003eSeparate Digital and Analog modules\u003c\/li\u003e\r\n\u003cli\u003eNon corrosive Stainless Steel chassis and top cover\u003c\/li\u003e\r\n\u003cli\u003eMilled anodzied aluminum front panel, knobs and button caps\u003c\/li\u003e\r\n\u003cli\u003ePostive feel 2 db stepped analog input level control\u003c\/li\u003e\r\n\u003cli\u003eMIDI I\/O\u003c\/li\u003e\r\n\u003cli\u003eHand Crafted in the USA\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eDigital Section Design Features and Performance (preliminary):\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAES 24 Bit Digital I\/O\u003c\/li\u003e\r\n\u003cli\u003eAES single wire 192k supported\u003c\/li\u003e\r\n\u003cli\u003eSelf-clocking to incoming sample rates 44.1k to 192k\u003c\/li\u003e\r\n\u003cli\u003e6 State of the art dual core Analog Devices DSPs\u003c\/li\u003e\r\n\u003cli\u003eAnalog Section Design Features and Performance (preliminary)\u003c\/li\u003e\r\n\u003cli\u003e\u0026lt; 20 Picoseconds Jitter\u003c\/li\u003e\r\n\u003cli\u003eInput level adjustable in 2 dB steps\u003c\/li\u003e\r\n\u003cli\u003eBalanced XLR analog I\/O 24-bit conversion\u003c\/li\u003e\r\n\u003cli\u003eDual D\/A\u003c\/li\u003e\r\n\u003cli\u003eFully-balanced, DC-coupled analog input and output circuits\u003c\/li\u003e\r\n\u003cli\u003eAnalog Input A\/D\u003c\/li\u003e\r\n\u003cli\u003eDynamic Range \u0026gt;116 db, A-Weighted THD+N\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 10 Hz - 20 kHz ± \u0026lt; 0.05 dB CMRR: \u0026gt; 60 dB @ = 1 kHz\u003c\/li\u003e\r\n\u003cli\u003eMaximum Input Level: +24 dBu\u003c\/li\u003e\r\n\u003cli\u003eMinimum Input Level for 0 dBFS: +4 dBu\u003c\/li\u003e\r\n\u003cli\u003eAnalog Output D\/A Dynamic Range: \u0026gt; 116 dB, A-Weighted THD+N: \u0026lt; 0.001%\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: 10 Hz - 20 kHz ± \u0026lt; 0.05 dB Maximum Output Level: +24 dBu\u003c\/li\u003e\r\n\u003cli\u003eMinimum Output Level for 0 dBFS: +8 dBu Output impedance: 40 Ohms\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Bricasti Design","offers":[{"title":"Default Title","offer_id":42018425045172,"sku":"486009","price":6725.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/bricastidesign-m7-1.jpg?v=1667935450"},{"product_id":"manley-stereo-variable-mu-limiter-compressor-mastering-version","title":"Manley Stereo Variable MU Limiter Compressor (Mastering Version)","description":"\u003cp\u003eThe Mastering Version of the Variable Mu Limiter Compressor incorporating detented and logable steps built with 1% metal film resistors on sealed gold-contact Grayhill switches is available. The Mastering Version of the Variable Mu Limiter Compressor uses expensive Greyhill rotary switches with gold contacts where conductive plastic pots were used. The steps are determined with a large number of 1% precision metal film 1\/2 watt resistors. The best conductive plastic pots only have 10% or 20% tolerance. The ten fold improvement in precision helps a great deal in left-right matching. There is a subtle audible improvement with stepped switches as well. Audiophile HI-FI often uses that technique to wring the last drop of performance out of a preamplifier.\u003c\/p\u003e\r\n\u003cp\u003eThe INPUT LEVEL is a five position switch with a generic optimum setting of “0” in the 12:00 position. Each step in either direction is 2 dB. For reference, Unity Gain is \"0\".\u003c\/p\u003e\r\n\u003cp\u003eThe OUTPUT Attenuators are in half dB steps. Reference Unity is -11.5 or fully counter-clockwise. You might think of these as \"gain makeup\". They are marked technically, in that “0” or fully clockwise has zero attenuation in the circuit. The tube circuit actually has 15.5 dB of gain. The Input attenuator at \"0\" removes 4 dB and the Output attenuator removes the last 11.5 producing \"unity\". With a little compression the \"gain make-up\" available with the Output Attenuator is very handy.\u003c\/p\u003e\r\n\u003cp\u003eThe Threshold is in half dB steps calibrated to LIMIT mode. In Compress the steps are approximately 1\/4 dB. There are 24 steps so LIMIT gets a 12 dB range and Compress has a 6 dB range of adjustment. In some cases it is common to use the Input Attenuator to find a good starting point. Some Mastering engineers find using the combination of Input, Output and Threshold to achieve a little different \"drive\". Another good reason for stepped gains.\u003c\/p\u003e\r\n\u003cp\u003eThe Attack Time has been slightly extended in both directions compared to a regular Variable Mu and divided into 11 steps. \u003cbr\u003eThe Recovery 5 position switch is exactly the same as a regular Variable Mu.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMANLEY input \u0026amp; output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz\u003c\/li\u003e\r\n\u003cli\u003eBALANCED INPUTS \u0026amp; OUTPUTS (600 Ohms)\u003c\/li\u003e\r\n\u003cli\u003eFully differential ALL-TUBE circuitry using one each 5670, 5751 (or 12AX7), 7044 (or 5687), \u0026amp; 12AL5 per channel\u003c\/li\u003e\r\n\u003cli\u003eIndependently regulated B+ and Heater supplies\u003c\/li\u003e\r\n\u003cli\u003eHard-wire BYPASS switch\u003c\/li\u003e\r\n\u003cli\u003eStepped switch INPUT attenuator as of 10\/2011. (older units use Silent dual-ganged potentiometer)\u003c\/li\u003e\r\n\u003cli\u003eRECOVERY 5 steps\u003cstrong\u003e:\u003c\/strong\u003e 0.2s, 0.4s, 0.6s, 4sec., 8sec.\u003c\/li\u003e\r\n\u003cli\u003eVariable ATTACK\u003cstrong\u003e:\u003c\/strong\u003e 25msec-70msec\u003c\/li\u003e\r\n\u003cli\u003eContinuously variable THRESHOLD\u003c\/li\u003e\r\n\u003cli\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1)\u003c\/li\u003e\r\n\u003cli\u003eHP SC\u003cstrong\u003e:\u003c\/strong\u003e High Pass Side Chain Filter -3dB @ 100Hz\u003c\/li\u003e\r\n\u003cli\u003eLarge ILLUMINATED Sifam METERS (older units before serial number MSLC61642 shipped before 12\/2003 use: 26V 1.2W FESTOON LAMPS; Manley's Part Number: VAR016B) Order spare bulbs using our parts order form. (newest units after serial number MSLC61642 shipped after 12\/2003 use white LED lighting)\u003c\/li\u003e\r\n\u003cli\u003eSTEREO LINK SWITCH\u003c\/li\u003e\r\n\u003cli\u003eSeveral units can be linked for Surround (custom order )\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":42018439823540,"sku":"497808M","price":9977.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497808M.jpg?v=1710311688"},{"product_id":"manley-slam-stereo-limiter-and-mic-pre-amplifier","title":"Manley Slam (Stereo Limiter And Mic Pre-Amplifier)","description":"\u003cp\u003eSLAM! stands for \"Stereo Limiter And Micpre\" and it pretty much describes what it will do to most VU meters. We had to put a switch on this limiter to drop its internal VU meters down 3 \u0026amp; 6dB to keep the poor little needles from bending– it'll get LOUD fast (hence the exclamation mark). And on top of being an amazing pair of (actually four) Limiters, and Class A tube mic preamps, it also has masters degrees in DI, AtoD and DtoA, VU and PPM but that was too much for an acronym.\u003c\/p\u003e\r\n\u003cp\u003eWhen it comes to classic gear, especially classic limiters, we can all agree numbers like LA2s, 1176s, 2264s, and others come to mind. What if all those sounds were to be found in one stereo tube unit. Interested? We combined our favorite Electro-Optical circuit (ELOP®) with a damn fast FET based brick-wall limiter reminiscent of some cool classics. And we added a sidechain filter that can remove low frequencies that makes it more useful for a variety of tasks, while retaining that easy, \"it just works\" quality that has made it a favorite for vocals everywhere. The FET-based limiter has different desirable characteristics that both optimise the signal for digital recording, due to the brick-wall capability, and let you dial in how clean or crunchy, or punchy, and how loud and proud you want it. Manley is excited to announce the SLAM!\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eInput Tubes:\u003c\/strong\u003e 2 x 12AT7A NOS GE specially selected by Manley Labs for lo-noise and stable bias\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eOutput Tubes:\u003c\/strong\u003e 2 x 6414W NOS USA dual triodes\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eI\/O:\u003c\/strong\u003e MANLEY transformer coupled Balanced Inputs and Outputs\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMicpre:\u003c\/strong\u003e Selectable 48V phantom power and PHASE REVERSE\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eGain:\u003c\/strong\u003e 60dB max Micpre, 43dB max DI, 20dB max Limiter Gain\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance: \u003c\/strong\u003e2000Ω Micpre, 1MegΩ DI\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eFET Limiter: \u003c\/strong\u003eAttack: approx. 100μS; Release: 10mS to 2Sec; Ratio: better than 20:1\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eELOP Limiter:\u003c\/strong\u003e Attack: approx. 10mS for 6dB GR; Release: 2.5 Sec; Ratio: 10:1\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response: \u003c\/strong\u003e5Hz to 60KHz\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMaximum Output:\u003c\/strong\u003e +32dBm, +30dBm (into 1KΩ load)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eTHD+N: \u003c\/strong\u003e\u0026lt;.05% @ 1KHz\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":42018440216756,"sku":"497824M","price":15004.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497824M.jpg?v=1710311632"},{"product_id":"manley-pultec-eqp-1a","title":"Manley Pultec EQP-1A","description":"\u003cp\u003eThe MANLEY ENHANCED PULTEC EQP-1A is our own interpretation of the historic Pultec Equalizer as originally produced by Pulse Techniques, Inc. We have been building these Manley Pultec EQs since 1990 after we bothered to hunt down Eugene Shenk in New Jersey to ask for his permission and blessings to produce our own version of his classic piece. These Manley Pultec units employ our own simple and clean all-tube make-up gain block to reamplify the signal after the passive EQ circuit. EQ may be set to 'flat' positions or BYPASSED entirely. All BOOST and CUT controls are continuously variable conductive plastic potentiometers for absolutely silent operation and long life. Our single rack unit monoblocks occupy one-third of the space of the 'antique Pultecs', an important consideration for allocation of outboard rack space. And if you notice, we've added a couple extra frequencies too. The rear mounted input switch selects 0 degrees or 180 degrees PHASE INVERT for the balanced gold pin XLR input or the transformerless unbalanced bridging input (1\/4\" jack) may be selected in that switch's middle position.\u003c\/p\u003e\r\n\u003cp\u003ePeople often ask us if our Pultec EQ's sound like the old ones to which we reply, \"Yes! But better!\" The originals had three transformers in the signal path whereas ours can be used completely transformerless. Our Manley Enhanced Pultec has a vastly superior B+ power supply, with regulated and balanced heater supply. Our line amp is known to be killer-sounding. The components we use today just weren't available in the 1960's. So, if you want a project with crackling carbon pots, dirty open frame wafer switches, 5% and 10% tolerance noisy carbon resistors, exposed tubes sticking out the back of the 3U chassis, etc., go pay top dollar for an antique Pultec!\u003c\/p\u003e\r\n\u003cp\u003eThe MANLEY PULTEC EQP-1A, available in both single and 2-channel versions, uses 1 x 12AX7WA and 1 x 6414 (or 5965) in our ALL-TUBE single-ended line amplifier for the gain make-up and extra-beefy sound; gain is factory set for unity but additional gain is available by a rear mounted feedback adjustment trimpot. Like our 40dB Mic Preamps, the Manley Pultecs offer both transformer coupled balanced and direct capacitor coupled unbalanced outputs for easy interface and sonic variety. Kick drum? Bring on the Pultecs and all the iron you can muster! You'll soon discover the power and magic of having those individual Low Frequency BOOST and CUT controls in that LF shelf circuit. . . Need a little clarity or extension? Try that middle bell-shaped Boost dialing in the sharpness of the boost on the BANDWIDTH control. Something bugging you? Ease it off with the HF shelf cut. You'll see. There's no substitute for a what a Manley Pultec EQ can do!\u003c\/p\u003e\r\n\u003cp\u003eKey Features:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMANLEY input transformer with nickel laminations potted in mu-metal case. 3K Ohm input Z\u003c\/li\u003e\r\n\u003cli\u003ePHASE REVERSE switch for balanced XLR input\u003c\/li\u003e\r\n\u003cli\u003eAlternate transformerless 1\/4\" HI-Z (5K Ohm) input\u003c\/li\u003e\r\n\u003cli\u003eBYPASS switch \u0026amp; AUTO-MUTE w\/warmup delay\u003c\/li\u003e\r\n\u003cli\u003eSilent conductive plastic BOOST \u0026amp; CUT controls\u003c\/li\u003e\r\n\u003cli\u003eSealed gold-contact Greyhill frequency select switches\u003c\/li\u003e\r\n\u003cli\u003eVacuum Tubes: 1 x 12AX7WA (gain) and 1 x 6414 (or 5965) White Follower\u003c\/li\u003e\r\n\u003cli\u003eHi-current drive \u0026lt;50 Ohm LO-Z XLR \u0026amp; 1\/4\" outputs\u003c\/li\u003e\r\n\u003cli\u003eBalanced Transformer-Coupled XLR Outputs via MANLEY 9611\u003c\/li\u003e\r\n\u003cli\u003eFlat frequency response from 10Hz-70KHz\u003c\/li\u003e\r\n\u003cli\u003e\u0026lt;0.01% THD @ 1kHz\u003c\/li\u003e\r\n\u003cli\u003eS\/N Ratio: 116 dB\u003c\/li\u003e\r\n\u003cli\u003eAdjustable FEEDBACK \/ GAIN: Unity ±5 dB\u003c\/li\u003e\r\n\u003cli\u003eMax. output: +30 dBv\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: 18 watts\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":42018446868660,"sku":"566055","price":7698.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/manley-pultec-mono-peqb-1.jpg?v=1667935740"},{"product_id":"neve-1073dpa","title":"Neve 1073DPA","description":"\u003cp\u003e\u003cspan\u003eThe latest addition to the Neve outboard range provides two of our world-famous Class A Neve 1073 microphone preamplifiers in a single rackspace. The 1073 is widely considered the premier mic preamp choice for numerous leading producers and artists, delivering the unique Neve sound featured on some of the most famous recordings of the past 30 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe big, punchy sound of the 1073 compliments any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve signature makes it the consummate mic pre for recording vocals, guitars, and acoustic instruments of all descriptions. With the 1073DPA, the highly sought-after 1073 mic amp sound is now available in a cost-effective 1U stereo rackmount solution, without the additional EQ found on the classic 1073 unit.\u003c\/p\u003e\n\u003cp\u003eThe 1073DPA provides the legendary sound of Neve in a remarkably simple format. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel Trim control, +\/-10dB. This stereo unit is the perfect solution for studios looking to bring in the very essence of the legendary Neve 1073 sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo legendary 1073 microphone preamps in a convenient 1U rackmount design\u003c\/li\u003e\n\u003cli\u003eHand-crafted and hand-wired by Neve in Burnley, UK\u003c\/li\u003e\n\u003cli\u003eDedicated input Gain controls and output Trim controls on both channels\u003c\/li\u003e\n\u003cli\u003e+48V Phantom Power and Phase Reverse switch\u003c\/li\u003e\n\u003cli\u003eHigh quality Input Selector switch\u003c\/li\u003e\n\u003cli\u003eNeve designed transformers for inimitable Neve sound\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":42018448310452,"sku":"497632","price":4149.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497632.jpg?v=1710311606"},{"product_id":"neve-1073dpd","title":"Neve 1073DPD","description":"\u003cp\u003e\u003cspan\u003eThe 1073DPD combines two of our world-famous Class A Neve 1073 microphone pre-amplifiers with flexible 192kHz digital output capabilities, for modern recording environments - all in a single rackspace. This classic design is the consummate mic for capturing vocals and musical instruments, with the added convenience of direct output to hard disk recorders or computers, thanks to the high-quality Neve-designed analogue-to-digital converters.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eFor those who don’t already know its legacy, the big, punchy sound of the mic 1073 preamp compliments any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve signature makes it the consummate mic pre for recording vocals, guitars, and all acoustic instruments.\u003c\/p\u003e\r\n\u003cp\u003eWith the 1073DPD, two Neve 1073 mic preamplifiers are complimented by superb Neve-designed analogue-to-digital converters that can capture a performance in any required format. In addition to Neve's famous Class A analogue, outputs are a series of digital options, including all standard PCM sampling rates up to 192kHz, selectable via convenient front-panel controls. A unique feature is the Neve DSD (Direct Stream Digital) output, providing unsurpassed quality beyond PCM technology.\u003c\/p\u003e\r\n\u003cp\u003eDespite its power, the 1073DPD is remarkably simple to operate. Two rear-panel Mic inputs and Line inputs feed dual Class A gain stages, with adjustable Gain control and selectable 48V available on the Mic inputs. Class A analogue outputs in XLR format are also found on the rear panel, controlled via adjustable front-panel Trim control, +\/-10dB. Analogue insert points are provided ahead of the A\/D converters, so that the classic Neve output sound is captured in full.\u003c\/p\u003e\r\n\u003cp\u003eThe combination of legendary analogue circuitry and superior digital quality makes the 1073DPD the obvious choice as a front-end for recording to digital workstations.\u003c\/p\u003e\r\n\u003cp\u003eKey Features:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo legendary 1073 microphone preamps in a convenient 1U rackmount design\u003c\/li\u003e\r\n\u003cli\u003eSuperior Neve-designed analogue-to-digital 24-bit converters\u003c\/li\u003e\r\n\u003cli\u003e192Khz operation with DSD conversion, selectable via front-panel controls\u003c\/li\u003e\r\n\u003cli\u003eDedicated input Gain controls and output Trim controls on both channels\u003c\/li\u003e\r\n\u003cli\u003e+48V Phantom Power and Phase Reverse switch\u003c\/li\u003e\r\n\u003cli\u003eHigh quality Input Selector switch\u003c\/li\u003e\r\n\u003cli\u003eNeve designed transformers for inimitable Neve sound\u003c\/li\u003e\r\n\u003cli\u003eHand-crafted and hand-wired by Neve in Burnley, UK\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":42018449227956,"sku":"497632D","price":4771.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497632D.jpg?v=1710311544"},{"product_id":"neve-4081-quad-mic-pre","title":"Neve 4081 Quad Mic\/Pre","description":"\u003cp\u003eThe 4081 Quad Mic Preamp builds on the incredible success of the 1081 and 1081R modules and provides both powerful control and legendary Neve sound.\u003c\/p\u003e\r\n\u003cp\u003ePerfect for vocals, ADR and Foley Recording, the 4081 features make it the number one choice for any studio, OB truck or live stage environment.\u003c\/p\u003e\r\n\u003cp\u003eEvery function of the 4081 can be controlled directly from the front panel or by remote control using a Mac or Intel based computer with Neve Remote Control software. This provides a simple and elegant solution for users of ProTools, Nuendo, Cubase and similar DAW systems. Multiple 4081 units can be linked together to create up to 64 independent channels of Mic Preamps or Line Level inputs – all controlled from a single computer.\u003c\/p\u003e\r\n\u003cp\u003eAn optional Digital card provides a FireWire\/AES interface with four channels of A\/D conversion to either AES or FireWire. An insert point is available before the A\/D converter on each channel to allow external, analogue Outboard equipment to be switched into the signal path. Four channels of AES-to-analogue or FireWire-to-analogue conversion are also available.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eHighlights\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLegendary Neve microphone preamp design\u003c\/li\u003e\r\n\u003cli\u003eFour genuine 1081 Mic preamp channels in a single 9.5” wide unit\u003c\/li\u003e\r\n\u003cli\u003eTwo units can be fastened together to provide 8-channels in a 19” unit\u003c\/li\u003e\r\n\u003cli\u003eRemote control using a Mac\/Intel computer and Neve Remote Control software\u003c\/li\u003e\r\n\u003cli\u003eXLR Mic input can be switched between Mic and electronically balanced Line\u003c\/li\u003e\r\n\u003cli\u003eSwitchable 48V Phantom power supply\u003c\/li\u003e\r\n\u003cli\u003eDigital I\/O Option: Firewire\/AES interface with four channels of A\/D conversion to either\u003c\/li\u003e\r\n\u003cli\u003eAES or FireWire and 4 channels of D\/A conversion. Analogue Insert (pre A\/D converter)\u003c\/li\u003e\r\n\u003cli\u003eper channel.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":42018450309300,"sku":"497670","price":5763.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497670.jpg?v=1710311491"},{"product_id":"neve-8803","title":"Neve 8803","description":"\u003cp\u003ePart of the exclusive Neve 88 Series, the Neve 8803 is a dual channel equaliser and filter. Like the other units in the 88 series collection, the 8803 is hand-made and hand-wired in Burnley, England, and delivers legendary Neve sound with digitally recallable settings via USB connection to Mac or PC. This is an outstanding tool for creative flexibility, allowing Neve’s legendary analogue processing to be used as never before in collaboration with computer workstations.\u003c\/p\u003e\n\u003cp\u003eDesigned to deliver the inimitable sound of the flagship Neve 88RS console, the 8803 Dual Equaliser’s circuitry is based on the classic Neve 8108 topology. Balanced Inputs and +\/- 20dB trim are followed by two 12dB per octave filters. The High-Pass Filter has a variable corner frequency from 25Hz to 300Hz, and the Low-Pass Filter has a range of 3kHz to 15kHz. The four bands of equalisation offer selectable shelving and switchable Q on both of the high and low bands, with continuously variable Q on the mid frequency bands. Frequency selection is variable on all bands within the ranges of 33Hz to 440Hz, 120Hz to 2kHz, 0.8kHz to 9kHz and 1.5kHz to 18kHz.\u003c\/p\u003e\n\u003cp\u003eFor modern producers and engineers looking to shape and develop sounds with unrivalled sonic purity and musicality, the 8803 Dual Channel Equaliser is the preeminent choice.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKey Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRevered equalization circuitry derived from classic 8108 design and flagship 88RS analogue console\u003c\/li\u003e\n\u003cli\u003eHand-built and hand-wired by Neve in Burnley, England\u003c\/li\u003e\n\u003cli\u003e+\/-20dB Input trim\u003c\/li\u003e\n\u003cli\u003eHigh pass filter 25Hz to 300Hz 12dB per octave\u003c\/li\u003e\n\u003cli\u003eLow pass filter 3kHz to 15kHz 12dB per octave\u003c\/li\u003e\n\u003cli\u003eEQ High 1.5k to 18kHz, selectable Shelving\/Bell, selectable Hi Q\u003c\/li\u003e\n\u003cli\u003eEQ Mid High 0.8kHz to 9kHz, Q range: 0.3 to 7 continuously variable\u003c\/li\u003e\n\u003cli\u003eEQ Mid Low 120Hz to 2kHz, Q range: 0.3 to 7 continuously variable\u003c\/li\u003e\n\u003cli\u003eEQ Low 33Hz to 440Hz, selectable Shelving\/Bell, selectable Hi Q\u003c\/li\u003e\n\u003cli\u003eEQ bypass switch\u003c\/li\u003e\n\u003cli\u003eUSB port for recall of settings via Mac or PC and control software\u003c\/li\u003e\n\u003cli\u003eXLR input combination jack, +4dBu, -10dBV\u003c\/li\u003e\n\u003cli\u003eXLR and parallel jack outputs\u003c\/li\u003e\n\u003cli\u003eExternal 100V-250V power supply\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":42018451030196,"sku":"497697","price":3111.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/neve-8803-1.jpg?v=1707707388"},{"product_id":"grace-design-m101","title":"Grace Design m101","description":"\u003cp\u003eIn 2000, the model 101 helped fuel a revolution. When people took professional recording into their own hands, it was there with all of the quality and performance of a high-end mic preamplifier, but with a price that made it available to the masses. 8 years later, and the cause moves forward with the newly redesigned m101.\u003c\/p\u003e\n\u003cp\u003eWith its impressive list of new features, the m101 is ready to give any mic preamplifier a run for its money. Consider the new audio signal path with 0.5% precision metal film resistors, 12 position gold plated rotary gain switch, a built-in universal AC input module, or our exclusive RIBBON mic mode - and the picture becomes clear: This is now a fully professional, state of the art precision mic preamp that roundly outperforms anything in its class. All this at the same affordable price of the original model 101.\u003c\/p\u003e\n\u003cp\u003eFrom podcast to concert hall, the m101 brings the build quality, refinement and performance to revolutionize any recording facility.\u003c\/p\u003e\n\u003cp\u003eKey Features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"bullets\"\u003eFast and musical transimpedance architecture\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eUpdated audio path with 0.5% precision metal film resistors\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eNew 12 position gold plated rotary gain switch\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eHigh performance output line driver amplifier and HPF amplifier\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eNew Ribbon mic mode (also great for dynamic mics)- Relay bypass of phantom power decoupling capacitors, increased\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003einput impedance, and 48V lockout\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eWider 10-75dB gain range\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eEnhanced RFI interference suppression \u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eThree output connectors: XLR balanced, TRS balanced and ¼” unbalanced\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eBombproof laser-etched black anodized frontpanel\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eSealed gold contact relay for Hi-Z input switching \u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eBuilt in power supply \/ no wall-wart! \u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eLed indicators for +48V, Ribbon mode, and HPF\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":42018455650484,"sku":"497630","price":1499.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497630.jpg?v=1710311432"},{"product_id":"focusrite-isa-one","title":"Focusrite ISA One","description":"\u003cp\u003eThe Focusrite ISA One microphone preamplifier delivers Focusrite's prestigious ISA transformer-based preamp in a rugged and portable chassis, at a groundbreaking price.\u003c\/p\u003e\r\n\u003cp\u003eMicrophone preamplifiers lie at the root of the Focusrite family tree. Back in 1985, when Sir George Martin asked console design legend Rupert Neve to design new modules for AIR Studios, the Input Signal Amplifier, or ISA – the mic pre – was the first. That design was the foundation of Focusrite’s benchmark Red range, and its descendants form the ISA series available today.\u003c\/p\u003e\r\n\u003cp\u003eThe Focusrite ISA One features the classic vintage microphone preamplifier topology from the original ISA110 module, which formed the cornerstone of each channel of Focusrite's legendary Forté console.\u003c\/p\u003e\r\n\u003cp\u003eThe preamp is complemented by a line input and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.’d guitar signal with a mic’d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMic \u0026amp; instrument preamplifier based on the Forte console\u003c\/li\u003e\r\n\u003cli\u003ePortable design for getting great sounds wherever you are\u003c\/li\u003e\r\n\u003cli\u003eMix \u0026amp; match your mics with the impedance selector\u003c\/li\u003e\r\n\u003cli\u003eMic, line \u0026amp; instrument inputs\u003c\/li\u003e\r\n\u003cli\u003eClassic VU meter \u0026amp; ladder LEDs\u003c\/li\u003e\r\n\u003cli\u003eCue mix stereo inputs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":42018491105460,"sku":"497617","price":999.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/focusrite-isa-one-1.jpg?v=1667936333"},{"product_id":"presonus-tubepre-v2","title":"PreSonus TubePre V2","description":"\u003cp\u003e\u003cspan\u003eLoaded with PreSonus award winning dual servo preamplifier, the TubePre V2 affordably delivers low noise tube warmth for vocals, guitars, bass guitars, synths and sound modules. The TubePre noticeably outperforms preamps in low cost mixers and recording interfaces making it an easy choice for anyone desiring to enhance their recordings with the magic of tubes. Discrete components and high-voltage operation offer dynamic range and detail not found in other single-channel tube preamps in its class.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKey features:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eXMAX™ Class A preamp input stage\u003c\/li\u003e\r\n\u003cli\u003e12AX7 dual-servo vacuum tube output stage\u003c\/li\u003e\r\n\u003cli\u003eInput Gain control\u003c\/li\u003e\r\n\u003cli\u003e48V phantom power\u003c\/li\u003e\r\n\u003cli\u003e80 Hz high-pass filter\u003c\/li\u003e\r\n\u003cli\u003e-20 dB pad\u003c\/li\u003e\r\n\u003cli\u003eInstrument input select\u003c\/li\u003e\r\n\u003cli\u003ePolarity-reverse switch\u003c\/li\u003e\r\n\u003cli\u003eBacklit VU meter\u003c\/li\u003e\r\n\u003cli\u003eClip LED\u003c\/li\u003e\r\n\u003cli\u003eInput\/Output \u003cbr\u003e1 unbalanced ¼” instrument input\u003cbr\u003e1 balanced XLR mic input\u003cbr\u003e1 unbalanced ¼” line output\u003cbr\u003e1 balanced XLR line output\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":42018492874932,"sku":"564501","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/564501.jpg?v=1710311357"},{"product_id":"smart-research-c2","title":"Smart Research C2","description":"\u003cp\u003eHigh performance stereo mix or instrument compressor.130dB dynamic range, external sidechain inputs, 'Crush' mode, fast limit.\u003c\/p\u003e\r\n\u003cp\u003eNew generation VCA's, fast slew rate amplifiers.(Also available in multichannel versions) Two sets of controls and two audio channels.\u003c\/p\u003e\r\n\u003cp\u003eThe C2 compressor houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true Stereo operation.\u003c\/p\u003e","brand":"Smart Research","offers":[{"title":"Default Title","offer_id":42018523578548,"sku":"497805","price":3905.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/smart-research-c2-dual-mono-stereo-compressor-1.jpg?v=1667936772"},{"product_id":"smart-research-c2m-mono-stereo-compressor","title":"Smart Research C2M Mono\/Stereo Compressor","description":"\u003cp\u003eOne set of controls and two audio channels\u003c\/p\u003e\r\n\u003cp\u003eThe C2 compressor houses two independant mono compressors, or in STEREO mode, the left-hand controls operate both audio channels, with the right-hand controls not used, giving true Stereo operation. The C2M version has one set of controls and two audio channels for Stereo use.\u003c\/p\u003e\r\n\u003cp\u003eThe characteristic sound of this unit arises mostly from the fast response at the onset of compression, which when delayed to occur around the mid range attack settings (after 0.3 to 3 milliseconds) results in a window through which transients can still pass.\u003c\/p\u003e\r\n\u003cp\u003eFeatures:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFast attack and limit settings for protective limiting. \u003c\/li\u003e\r\n\u003cli\u003eCrush mode gives f.e.t 'overcompression' with tailored frequency response, and higher distortion, for 'huge' dynamic effects. \u003c\/li\u003e\r\n\u003cli\u003eExternal sidechain inputs, (for ducking etc.) \u003c\/li\u003e\r\n\u003cli\u003ePower fail bypass for broadcast or live sound. \u003c\/li\u003e\r\n\u003cli\u003eRatios 1.5:1, 2:1, 3:1, 4:1, 10:1 and Limit. \u003c\/li\u003e\r\n\u003cli\u003eAttack 0, 0.1, 0.3, 1, 3, 10, and 30 m\/sec. \u003c\/li\u003e\r\n\u003cli\u003eRelease 0.1, 0.3, 0.6, 1.2, and 2.4 seconds.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Smart Research","offers":[{"title":"Default Title","offer_id":42018524430516,"sku":"497805M","price":3099.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/smart-research-c2m-mono-stereo-compressor-1.jpg?v=1667936783"},{"product_id":"smart-research-c1-dual-stereo-compressor","title":"Smart Research C1 Dual\/Stereo Compressor","description":"\u003cp\u003eTwo sets of controls and two audio channels.\u003c\/p\u003e\r\n\u003cp\u003eOriginal black front panel version of C2 compressor. (Two sets of controls and two audio channels, but no sidechain inputs, or crush facility)\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003ePower:\u003c\/b\u003e 100v-240v AC selectable, 30 watts. \u003cbr\u003e\u003cb\u003eNoise floor:\u003c\/b\u003e Below -92 dBm (flat 20Hz-20Khz). \u003cbr\u003e\u003cb\u003eDistortion: \u003c\/b\u003e Below 0.025% (1K\/+4 THD 20Hz-20Khz) \u003cbr\u003e\u003cb\u003eFrq. Response: \u003c\/b\u003e Within 1\/2dB from 20Hz to 20Khz. \u003cbr\u003e\u003cb\u003eDepth in rack:\u003c\/b\u003e 240mm. \u003cbr\u003e\u003cb\u003eMain input: \u003c\/b\u003e Balanced, impedance 10K per leg. \u003cbr\u003e\u003cb\u003eOutput: \u003c\/b\u003eUnbalanced (p2 hot default). Above +21dBm. \u003cbr\u003e\u003cb\u003eThreshold: \u003c\/b\u003e Adjustable -15 to +15dBm. \u003cbr\u003e\u003cb\u003eMake-up gain: \u003c\/b\u003e Adjustable 0 to +15dBm. \u003c\/p\u003e","brand":"Smart Research","offers":[{"title":"Default Title","offer_id":42018524790964,"sku":"497804","price":3099.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/smart-research-c1-dual-stereo-compressor-1.jpg?v=1667936799"},{"product_id":"rme-micstasy","title":"RME Micstasy","description":"\u003cp\u003eMicstasy is an 8-Channel hi-end mic\/line preamp and AD-converter combining typical RME features with a number of previously unseen features. It can be used analog (Mic\/Line In to Line Out) and digital (Mic\/Line In to Digital Out), with both signal paths operating simultaneously. Special highlight: the device is fully remote-controllable via MIDI (also MIDI over MADI).\u003c\/p\u003e\r\n\u003cp\u003eThe Micstasy's innovative concept allows for amplification and digitization of ALL analog signal sources. Be it high-level stage signals, typical studio signals, lower level and high-impedance instruments, or dynamic, condenser or ribbon microphones: Micstasy understands them all - in a way that is simply thrilling.\u003c\/p\u003e\r\n\u003cp\u003eThe signals amplified by the Micstasy are available at the analog outputs for passing them on, making an expensive splitter box on stage obsolete. All functions can be remote controlled via MIDI and MIDI over MADI, allowing the device to be placed near the microphones, ensuring highest sound quality. Adding the optional MADI Card results in even more options. The I64 MADI Card provides serial pass-through capability from one Micstasy to the next (up to 8). All up to 64 audio signals are then available at the last device on one single line. Such a way of cascading is also possible between Micstasy and ADI-8 QS.\u003c\/p\u003e\r\n\u003cp\u003eKey Features:\u003c\/p\u003e\r\n\u003cul class=\"listbullet2\"\u003e\r\n\u003cli\u003e8 balanced XLR mic\/line inputs with 85 dB gain range\u003c\/li\u003e\r\n\u003cli\u003eAnalog input level from -56.5 dBu up to +30 dBu\u003c\/li\u003e\r\n\u003cli\u003eHigh-end circuitry with 4 relays per channel, super low-noise microphone front-end\u003c\/li\u003e\r\n\u003cli\u003eNear click-free gain changes in steps of 0.5 dB\u003c\/li\u003e\r\n\u003cli\u003eLarge frequency range (200 kHz) with special EMI input filtering\u003c\/li\u003e\r\n\u003cli\u003e8 balanced TRS line \/ instrument inputs with Hi-Z option\u003c\/li\u003e\r\n\u003cli\u003e8 balanced XLR line outputs, maximum level +27 dBu\u003c\/li\u003e\r\n\u003cli\u003e4 x AES\/EBU Out via D-sub, 8 channels @ 192 kHz\u003c\/li\u003e\r\n\u003cli\u003e2 x ADAT Out, 8 channels @ 96 kHz (SMUX and SMUX4)\u003c\/li\u003e\r\n\u003cli\u003eOptional MADI I\/O (I64 MADI Card) with serial cascading and digital return path\u003c\/li\u003e\r\n\u003cli\u003eSymmetrical hi-pass (Lo Cut) with super-low THD, 18 dB\/oct\u003c\/li\u003e\r\n\u003cli\u003eLED level meter with 13 LEDs per channel\u003c\/li\u003e\r\n\u003cli\u003eM\/S de-\/encoding for the digital output\u003c\/li\u003e\r\n\u003cli\u003eAutoSet: Automatic gain reduction with multiple linking\u003c\/li\u003e\r\n\u003cli\u003eCurrent state can be stored to 8 user presets\u003c\/li\u003e\r\n\u003cli\u003eFully remote controllable\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":42018551726260,"sku":"870533","price":7999.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/87053.jpg?v=1710311262"},{"product_id":"rme-octamic-ii","title":"RME OctaMic II","description":"\u003cp\u003eThe OctaMic II provides 8-Channel 192 kHz \/ 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology.\u003c\/p\u003e\r\n\u003cp\u003eLowest distortion, excellent signal to noise ratio and perfectly linear frequency response transmit and amplify the microphone signals truly unchanged.\u003c\/p\u003e\r\n\u003cp\u003eThe OctaMic II includes some significant enhancements compared to the OctaMic:\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe balanced TRS inputs of the Neutrik Combo XLR jacks are phantom power-free and can be operated as real line inputs too. The improved design of the input circuits allows for a maximum input level of +21 dBu with a convenient gain range from 6 dB up to 60 dB.\u003c\/li\u003e\r\n\u003cli\u003eImproved signal to noise ratio (SNR) ADC 107.5 dB\u003c\/li\u003e\r\n\u003cli\u003eImproved THD, especially at higher gains\u003c\/li\u003e\r\n\u003cli\u003eOptimised heat dissipation by a new and larger housing with improved convection\u003c\/li\u003e\r\n\u003cli\u003eInternal wide range power supply with line filter, insensitive to voltage fluctuations Super-stable, short circuit proof 48 V phantom power\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":42018552316084,"sku":"870524","price":2399.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/870524.jpg?v=1710311236"},{"product_id":"art-pro-audio-tube-mp-usb","title":"ART Pro Audio Tube MP USB","description":"\u003cp\u003e\u003cspan\u003eThe Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to audio inputs to digital audio workstations as well as standard analog devices. We took our legendary Tube MP series and updated every aspect of the design, inside and out, while still maintaining a compact, reliable, cost effective product, and added a USB output. From the new all-aluminum stackable chassis to the precision LED level metering circuitry, we have improved virtually every aspect of our already successful Tube MP series and added USB connectivity.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUSB interface output\u003c\/li\u003e\r\n\u003cli\u003eExtremely low noise discrete front end\u003c\/li\u003e\r\n\u003cli\u003eUp to 70dB of clean, \"musical\" gain\u003c\/li\u003e\r\n\u003cli\u003eHigh output signal drive capability\u003c\/li\u003e\r\n\u003cli\u003eFast FET limiter to prevent overload\u003c\/li\u003e\r\n\u003cli\u003eSwitch selectable input impedance\u003c\/li\u003e\r\n\u003cli\u003ePrecision LED metering\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in low noise phantom power supply\u003c\/li\u003e\r\n\u003cli\u003eCompact, stackable all aluminum chassis\u003c\/li\u003e\r\n\u003cli\u003eXLR \u0026amp; 1\/4\" inputs \u0026amp; outputs\u003c\/li\u003e\r\n\u003cli\u003ePhase invert switch\u003c\/li\u003e\r\n\u003cli\u003eHigh cut filter switch\u003c\/li\u003e\r\n\u003cli\u003eVariable input \u0026amp; output controls\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"ART Pro Audio","offers":[{"title":"Default Title","offer_id":42018556084404,"sku":"562052","price":329.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/art-tube-mp-usb-1.jpg?v=1667937154"},{"product_id":"art-pro-audio-digital-mpa-ii","title":"ART Pro Audio Digital MPA II","description":"\u003cp\u003e\u003cspan\u003eThe ART Digital MPA-II delivers all of the same great features of the ProMPA with the added versatility of digital output. Like the ProMPA-II, each input circuit has 48v phantom power and features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The Digital MPA-II can be configured for dual mono or stereo operation with selectable mid\/side mic support, summing the adjacent channel, to decode left\/right signals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVariable input impedance for flexible microphone voicing (150 Ohms To 2400 Ohms)\u003c\/li\u003e\r\n\u003cli\u003eSelectable plate voltage\u003c\/li\u003e\r\n\u003cli\u003eLarge VU meters\u003c\/li\u003e\r\n\u003cli\u003eBacklit function switches\u003c\/li\u003e\r\n\u003cli\u003eDiscrete Class-A input microphone preamplifier\u003c\/li\u003e\r\n\u003cli\u003eLow noise at lower gain settings\u003c\/li\u003e\r\n\u003cli\u003eLow total harmonic distortion\u003c\/li\u003e\r\n\u003cli\u003eWide frequency response\u003c\/li\u003e\r\n\u003cli\u003eFront-mounted instrument input jack\u003c\/li\u003e\r\n\u003cli\u003eSupports mid\/side miking technique\u003c\/li\u003e\r\n\u003cli\u003eOperates at +4dbm\/-10dbv output\u003c\/li\u003e\r\n\u003cli\u003eSelectable stereo\/dual-mono operation of output controls\u003c\/li\u003e\r\n\u003cli\u003eAutomatic instrument input selection\u003c\/li\u003e\r\n\u003cli\u003e24-204KHz External sample rate\u003c\/li\u003e\r\n\u003cli\u003e44.1K, 48K, 88.2K, 96K, 176.4K, 192K Internal sample rates\u003c\/li\u003e\r\n\u003cli\u003e24\/16 bit switchable dithering\u003c\/li\u003e\r\n\u003cli\u003eWide dynamic range A\/D\u003c\/li\u003e\r\n\u003cli\u003eRotary encoder for quick selection of sample rate\u003c\/li\u003e\r\n\u003cli\u003eSeparate analog \u0026amp; digital output level controls\u003c\/li\u003e\r\n\u003cli\u003eDigital Level LED meters display both Average \u0026amp; Peak level\u003c\/li\u003e\r\n\u003cli\u003eADAT optical I\/O\u003c\/li\u003e\r\n\u003cli\u003eSync to incoming ADAT data rate\u003c\/li\u003e\r\n\u003cli\u003eSwitch selectable optical output (S\/PDIF or ADAT)\u003c\/li\u003e\r\n\u003cli\u003eAES\/EBU \u0026amp; S\/PDIF outputs\u003c\/li\u003e\r\n\u003cli\u003eTwo word clock jacks allowing loop through\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"ART Pro Audio","offers":[{"title":"Default Title","offer_id":42018559656116,"sku":"562064","price":1289.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/562064.jpg?v=1710311167"},{"product_id":"earthworks-1022","title":"Earthworks 1022","description":"\u003cp\u003e\u003cspan\u003eThe ZDT preamplifier series is based on discrete circuitry designed by David Blackmer, establishing a new standard of sonic excellence in electronics. This exacting new standard provides frequency response from 1Hz to 200kHz +0.5dB, a rise time of 0.27 microseconds and distortion of less than 1 part per million (0.0001%), eliminating all possibility of sonic degradation. These preamps are so fast, so clean and so transparent that you don’t even know they are there. It is like plugging your microphone into a “piece of wire with gain”.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eZero Distortion – less than one part per million\u003c\/li\u003e\r\n\u003cli\u003eHigh output level +33dBu\u003c\/li\u003e\r\n\u003cli\u003eVery Low Output Impedance will drive long lines without interference or signal loss\u003c\/li\u003e\r\n\u003cli\u003eTrue 48 volt phantom, polarity reverse \u0026amp; clip indicator\u003c\/li\u003e\r\n\u003cli\u003eSeparate XLR \u0026amp; 1\/4” Phone (t-r-s) outputs, each with its own gain\/level controls\u003c\/li\u003e\r\n\u003cli\u003e1\/4” Phone connector output will drive balanced or unbalanced inputs\u003c\/li\u003e\r\n\u003cli\u003eLowest Noise of any preamp on the market\u003c\/li\u003e\r\n\u003cli\u003eFull Differential (balanced) from XLR in to XLR out – no internal conversion to single-ended\u003c\/li\u003e\r\n\u003cli\u003eAll Discrete Components; Class A Amplification (No ICs in the signal path)\u003c\/li\u003e\r\n\u003cli\u003eGreater Transparency with minimum signal path and minimum features\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Earthworks","offers":[{"title":"Default Title","offer_id":42018564505780,"sku":"577292","price":3779.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/577292.jpg?v=1710311213"},{"product_id":"empirical-labs-el-8-distressor","title":"Empirical Labs EL-8 Distressor","description":"\u003cp\u003eThe Distressor is the product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world.Besides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit. This “warmth” or “vintage sound” has become a major issue in the last few decades, as the super clear and linear digital technology does next to nothing to soften “harsh” sounds, nor emphasize the bass frequencies in music sources. Conversely, older analog tape, vinyl records and tube equipment could not be prevented from coloring the sound, often to the frustration of recording engineers.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOffers a warm, vintage sound by using a custom designed gain control circuit\u003c\/li\u003e\r\n\u003cli\u003e8 of the Distressor’s curves are unique and distinctive\u003c\/li\u003e\r\n\u003cli\u003e3 modes that color the signal, even without compression:Basic distortion mode Distort 2 - emphasizes tube-like 2nd order harmonics Distort 3 - dominated by 3rd harmonics more closely resembling tape\u003c\/li\u003e\r\n\u003cli\u003e2 HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":42018647834804,"sku":"565025","price":2729.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/empiricallabs-el8-distressor-1.jpg?v=1667938119"},{"product_id":"neve-8816","title":"Neve 8816","description":"\u003cp\u003eThe sound of Neve has been the audio recording benchmark for generations of leading engineers, musicians and producers. Wherever sound matters—from a full orchestral recording for a blockbuster film to a lone singer, from a rock drummer to an R’n’B vocal— Neve provides the warmth, punch and definition so sought after by virtually anyone who has touched a fader. With the new 8816 Summing Mixer, the legendary sound of Neve now becomes available to computer-based producers.\u003c\/p\u003e\r\n\u003cp\u003eHand-built and hand-wired at the Neve factory in Burnley, England, the 8816 allows engineers and producers to mix their music on a true, albeit diminutive, Neve summing mixer. The unit provides sixteen input channels with +15dB gain, level, pan, cut\/solo and cue controls. Additionally, a post-insert mix function can be used for mixing in a separate stem, or blending the mix with a special effect.\u003c\/p\u003e\r\n\u003cp\u003eWith four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the 8816 effectively upgrades a digital audio workstation to a professional mixing facility. And an onboard USB connector allows snapshots of the 8816 to be saved to a PC or Mac and recalled ready for remix.\u003c\/p\u003e\r\n\u003cp\u003eBut what about the sound? Glad you asked. The 8816 uses the same transformer mixing topology as the classic 80 Series console, with two custom Carnhill transformers on the stereo mix bus output, plus a unique “Stereo Width” control as found in professional mastering studios. And what all this means is that the unit delivers the open, punchy mixes for which Neve consoles have long been renowned.\u003c\/p\u003e\r\n\u003cp\u003eIn the words of Hugh Robjohns at Sound on Sound magazine, “The critical issue is what [the 8816] sounds like. The answer is simple: it sounds fabulous and sublime. Its huge headroom and the classic transformer mixing topology endow the mix with an effortlessly silky quality that just screams 'analogue' at the listener.”\u003c\/p\u003e\r\n\u003cp\u003eFor those requiring digital output, the 8816’s analog-to-digital conversion option supports standard sample rates to 192kHz and direct conversion to DSD (Direct Stream Digital). This Neve-designed ADC has been compared quite favorably to dedicated professional A\/D conversion units costing as much or more than the entire 8816 mixer. If sixteen inputs aren’t enough for your mix, multiple 8816 units can be cascaded together via a dedicated 2-track buss. And the unit can be paired with the 8804 Fader Pack, which provides 18 long-throw faders for hands-on control.\u003c\/p\u003e\r\n\u003cp\u003eBut most importantly, it’s the classic Neve sound that keeps producers coming back to the 8816. We invite users to read the many favorable reviews online, and then visit their local authorised AMS Neve reseller to have an in-person listen.\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eHighlights\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHand-built, hand-wired 16-channel summing mixer for use in professional computer-based studios\u003c\/li\u003e\r\n\u003cli\u003eClassic Neve analogue transformer mix buss topology\u003c\/li\u003e\r\n\u003cli\u003eInstant Recall of settings stored on PC or Mac via USB\u003c\/li\u003e\r\n\u003cli\u003e16 input channels plus aux additional inputs\u003c\/li\u003e\r\n\u003cli\u003eCue, Level, Pan, Solo and Mute controls\u003c\/li\u003e\r\n\u003cli\u003eMix Insert points\u003c\/li\u003e\r\n\u003cli\u003eVarious solo and solo in place functions\u003c\/li\u003e\r\n\u003cli\u003eSum and difference insert with exclusive \"Stereo Width Control\"\u003c\/li\u003e\r\n\u003cli\u003eSeparate Monitor and Cue levels\u003c\/li\u003e\r\n\u003cli\u003eMain and Alt speaker outs\u003c\/li\u003e\r\n\u003cli\u003eOnboard talkback mic w\/ talkback input to Cue\u003c\/li\u003e\r\n\u003cli\u003eUnits can be cascaded for multiple output\u003c\/li\u003e\r\n\u003cli\u003e2U rackmount design with special shielded power supply\u003c\/li\u003e\r\n\u003cli\u003e2 track return, plus iPod input\u003c\/li\u003e\r\n\u003cli\u003eHeadphone outs on front and back\u003c\/li\u003e\r\n\u003cli\u003eOptional digital output card; 44.1kHz to 192kHz, plus DSD.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":42018652389556,"sku":"497649","price":5290.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497649.jpg?v=1710310862"},{"product_id":"rupert-neve-designs-portico-5033","title":"Rupert Neve Designs Portico 5033","description":"\u003cp\u003eThe Portico 5033 Five Band EQ and high performance line driver is a new equalizer with the performance, features and musicality expected from Rupert Neve, the designer.\u003c\/p\u003e\r\n\u003cp\u003eThe 5033 features Mr. Rupert Neve’s custom input and output transformer designs, five bands of EQ based on his traditional curves, -\/+12dB input level adjustment, five filter bypasses and comes available in either horizontal or vertical formats.\u003c\/p\u003e\r\n\u003cp\u003eAt the input and output of the 5033 lie custom designed Rupert Neve transformers, which are much of the heart of the sound of Mr Rupert Neve’s classics. The EQ section can be completely bypassed and the unit can be used as a very high quality line driver utilizing these transformers, which can help to add sonic “sweetness” to a source.\u003c\/p\u003e\r\n\u003cp\u003eKey Features:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTrim: p\u003cspan\u003erovides fine gain adjustment continuously over a range of +\/- 12 dB.\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003eAll Bypass: \u003cspan\u003ePush button inserts or bypasses the entire EQ circuit\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003eLF Sectrion: \u003cspan\u003eContinuously variable shelving filter with a frequency range of 30 Hz to 300 Hz; continuously variable gain of +\/- 12\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eLMF Section: \u003cspan\u003eContinuously variable frequency range of 50 Hz to 400 Hz;\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003econtinuously variable Q; continuously variable gain of +\/- 12; IN pushbutton inserts or bypasses LMF Section\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eLMF In: \u003cspan\u003eInserts the LMF Section into the circuit\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eMF Section: \u003cspan\u003eContinuously variable frequency range of 330 Hz to 2500 Hz;\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003econtinuously variable Q; continuously variable gain of +\/- 12; IN pushbutton inserts or bypasses LMF Section\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eHMF Section: \u003cspan\u003eContinuously variable frequency range of 1.8 kHz to 16 kHz;\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003econtinuously variable Q; continuously variable gain of +\/- 12; IN pushbutton inserts or bypasses LMF Section\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":42018658943156,"sku":"497650","price":3072.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/rupertnevedesigns-portico-5033-1.jpg?v=1667938207"},{"product_id":"universal-audio-710-twin-finity","title":"Universal Audio 710 Twin-Finity","description":"\u003cp\u003e\u003cspan\u003eThe award-winning Universal Audio 710 Twin-Finity is a UA mic preamp design that combines both the classic retro warmth of tubes with the transient bite of solid-state, all in a 2U, half-rack unit. The Universal Audio 710 Twin-Finity was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps. Tone blending is continually variable between 100% tube and 100% solid-state, offering a practically infinite range of unique preamp tones, plus the ability to easily dial-in your own signature sound. There are lots of sensibly priced solid-state and tube preamplifiers out there, but the Universal Audio 710 Twin-Finity is the only one that offers the best of both worlds — as well as everything in-between — all in one box, and within reach of any serious project studio’s budget.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwin-Finity Tone-Blending Mic\/Line preamp \u0026amp; Hi-Z instrument DI\u003c\/li\u003e\r\n\u003cli\u003eDual-Path 310 volt Class-A Tube \u0026amp; transimpedance solid state preamp\u003c\/li\u003e\r\n\u003cli\u003ePhase-Aligned \"Tone-Blending\" of tube \u0026amp; solid state\u003c\/li\u003e\r\n\u003cli\u003eDual gain stages: wire with gain to creamy to crunchy\u003c\/li\u003e\r\n\u003cli\u003eDiscrete JFET DI with 2.2M ohm ultra Hi-Z impedance\u003c\/li\u003e\r\n\u003cli\u003eMonolithic balanced output stage\u003c\/li\u003e\r\n\u003cli\u003e70dB+ of gain, +48V phantom, pad (-15dB), phase invert \u0026amp; low cut filter (75Hz)\u003c\/li\u003e\r\n\u003cli\u003eOutput \u0026amp; \"Drive\" backlit VU metering\u003c\/li\u003e\r\n\u003cli\u003ePortable, rack-mountable design for studio, desktop or stage\u003c\/li\u003e\r\n\u003cli\u003eFront Panel Hi-Z Input (switched from Mic\/Line automatically via Jack Detect)\u003c\/li\u003e\r\n\u003cli\u003eRear Panel XLR Mic Input, XLR Line Input \u0026amp; XLR Line Output\u003c\/li\u003e\r\n\u003cli\u003eUniversal internal power supply\u003c\/li\u003e\r\n\u003cli\u003eHeavy-duty metal construction\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":42018663235764,"sku":"565022","price":1598.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/universa-audio-710-twin-finity-1.jpg?v=1667938269"},{"product_id":"universal-audio-solo-610","title":"Universal Audio SOLO 610","description":"\u003cp\u003eThe Universal Audio SOLO\/610 delivers the classic Putnam 610 console sound to the single channel format in a rugged, highly versatile form factor, at a price every project studio can afford. The all-tube Universal Audio SOLO\/610 provides the silky vintage warmth of the original UA 610 console used by artists ranging from Sinatra to Van Halen. The Universal Audio SOLO\/610 will flatter the cheapest to the most esoteric microphone with its signature sound. Unlike stationary rack gear, the Universal Audio SOLO\/610 can be conveniently used in the control room or recording room, on stage or desktop, due to its portable \"go anywhere\" design. Functionally lean but sonically mean, the Universal Audio SOLO\/610 was carefully created to maintain all of the character of its vintage predecessor, and has the same solid build and audiophile components professionals expect from its more expensive UA siblings like the 2-610 and M610.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic Putnam 610 console Mic Preamplifier and DI\u003c\/li\u003e\n\u003cli\u003eLegendary all-tube sound finally at project studio price\u003c\/li\u003e\n\u003cli\u003eGain, Level, and impedance selection for maximum tonal variety\u003c\/li\u003e\n\u003cli\u003ePortable design for studio, desktop or stage\u003c\/li\u003e\n\u003cli\u003eRugged construction-steel chassis\u003c\/li\u003e\n\u003cli\u003eDI features like Thru and Mic\/Line level output\u003c\/li\u003e\n\u003cli\u003eUA build quality and heritage, hand-assembled in USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":42018664382644,"sku":"565013","price":2899.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/universal-audio-solo-610-1_1.jpg?v=1667938286"},{"product_id":"drawmer-1968-mercenary-edition","title":"Drawmer 1968 Mercenary Edition","description":"\u003cp\u003eThe 1968 is a 1U Tube\/FET ‘stereo bus’ compressor which by design delivers a transparent ‘open’ sound even during periods of heavy compression. Featured on both channels is a switchable ‘BIG’ mode which applies less processing to the fundamental low frequency but still disciplines the upward associated harmonics which if untamed can result in a ‘boomy’ or ‘boxy’ sound. The result - a solid bottom end with enhanced sub-bass and a smoother, wider frequency response overall.\u003c\/p\u003e\r\n\u003cp\u003eThe 1968 is a ‘stripped down’ version of the 1969 introduced to the market by customer demand for those not requiring the instrument and mic preamps incorporated in the 2U 1969.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eFeatures:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 Channel Tube\/FET Compressor\u003c\/li\u003e\r\n\u003cli\u003e2 soft-knee compressors with variable threshold, attack, release and output gain\u003c\/li\u003e\r\n\u003cli\u003eSwitchable BIG control on each channel\u003c\/li\u003e\r\n\u003cli\u003eDual mono or true stereo link operation\u003c\/li\u003e\r\n\u003cli\u003eSide chain access and side chain listen facility\u003c\/li\u003e\r\n\u003cli\u003eVU metering of gain reduction and output levelsVU red warning glow to signify ‘approaching clipping’\u003c\/li\u003e\r\n\u003cli\u003eBalanced +4dB XLR in\/outs\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":42018679259316,"sku":"561006M","price":2420.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/561006M.jpg?v=1710310799"},{"product_id":"drawmer-1969-mercenary-edition","title":"Drawmer 1969 Mercenary Edition","description":"\u003cp\u003eThe 1969 Mercenary Edition is a new product that derives from a collaboration between two of the audio industry’s most established names, Drawmer (UK) and Mercenary Audio (USA). When Ivor Drawmer rose to the challenge of outspoken US producer\/engineer ‘Fletcher’ of Mercenary Audio to build a special version of the famed Drawmer 1960 (used by Eric Clapton, Madonna, Sheryl Crow, Stevie Wonder, Bryan Adams and thousands of artists around the world) - both sides joined forces and the 1969 Mercenary Edition was born!\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eMain Features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 mic\/line pre-amps with variable gain, 48V phantom power, filters and phase reverse.\u003c\/li\u003e\r\n\u003cli\u003eInstrument tube pre-amp with variable gain, EQ, phase reverse and brightness boost.\u003c\/li\u003e\r\n\u003cli\u003e2 soft-knee tube compressors with variable threshold, attack, release and output gain.\u003c\/li\u003e\r\n\u003cli\u003eTrue stereo link operation with BIG position for retaining bass frequencies.\u003c\/li\u003e\r\n\u003cli\u003eSide chain access and side chain listen facility.\u003c\/li\u003e\r\n\u003cli\u003eVU metering of gain reduction and output levels.\u003c\/li\u003e\r\n\u003cli\u003eIndividual +4dB\/-10dB inserts \/ Balanced +4dB XLR input\/output connectors.\r\n\u003cp\u003eBased on Drawmer’s original 1960 Mic Pre-Amp\/Tube Compressor (itself inspired by the classic Fairchild 670), the 1969 offers a host of new features, and more impressively - a completely new sound!\u003c\/p\u003e\r\n\u003cp\u003eRetaining the concept of twin mic pre-amps, the 1969 uses ‘Burr-Brown’ op amps for a silkier sound - and a Phase Reverse switch available in Instrument, Mic and Line modes increases versatility. The 1969 employs true Stereo Link operation with channel one’s Threshold, Attack and Release controls becoming master to both channels. Stereo Link also offers a BIG position which retains bass frequencies by rolling off the detection signal at 100Hz minimizing undesirable pumping during compression. Output Gain make-up can be independently controlled on each channel. The 1969 Mercenary Edition incorporates new tube circuits designed to add warmth to mic\/line signals, and the instrument (DI) pre-amp has its own tube stage enabling classic overdrive effects when inserting guitar, bass and other instruments - true to the original Drawmer 1960 design.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":42018680996020,"sku":"561027","price":3610.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/561027.jpg?v=1710310659"},{"product_id":"drawmer-dl441-quad-auto-compressor-limiter","title":"Drawmer DL441 Quad Auto Compressor Limiter","description":"\u003cp\u003eThe DL441 Quad Auto Compressor\/Limiter captures four channels of Drawmer's innovative DL241 'Auto Compressor' in only 1U of rack space. The inclusion of new sophisticated 'automated' circuitry allows the engineer to precisely control both the dynamic range and 'absolute' peak level of the programme instantly, without sacrificing essential control parameters. This perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional 'Auto Attack\/Release' Compressor with a variable threshold 'Peak Level' Limiter on the output providing a transparent 'endstop'. High resolution bar-graph displays on each channel allow gain reduction and output level to be viewed simultaneously, of particular importance in darkened concert hall or control room situations. Facilities available on the DL441 include:\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cb\u003eCompressor :\u003c\/b\u003eThe compressor section can be switched to provide either HARD or SOFT knee compression In both the HARD and SOFT modes a Ratio control is available. In the SOFT mode the ratio increases gradually over a 10dB input level range until it reaches the ratio set on the front panel control, thus achieving a more natural sounding compression In HARD mode the compressor provides a more precise means of controlling gain, where the ratio as set on the front panel is applied immediately the signal exceeds threshold. This is particularly useful in many broadcast applications. HARD knee compression can also be used creatively as an effect, particularly in the treatment of drum and guitar sounds, or for giving rock vocals a 'compressed sound'.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eAuto Attack and Release : \u003c\/b\u003eremoves the need for manual adjustment by producing a response which constantly follows the dynamics of the signal. This enables the DL441 to preserve crisp transients without allowing excessive peaks to occur. A smooth yet lively recovery from compression minimizes side effects such as 'pumping' and 'breathing'. This feature is particularly valuable when the program being treated does not have predictable or consistent dynamics, such as complete mixes, vocals or 'slapped and pulled' bass guitar.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003ePeak Level Limiter :\u003c\/b\u003e'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0db to +16dB above system level. 'Zero Response Time' transparent limiting means that the DL441 provides complete protection from even the fastest and shortest signal overloads, making the unit ideally suited for speaker system protection in sound reinforcement applications. The sophisticated circuitry will also prevent unpleasant distortion when used for digital mastering.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eMetering : \u003c\/b\u003eComprehensive bar graph displays give 'at a glance' indications of gain reduction, and input\/output signal level Gain reduction from 1dB to 30dB is shown simultaneously with signal level from 10dB to +10dB. When the channel is in BYPASS the output bar graph displays the input signal level. Other single LEDs indicate function status of Hard\/Soft compression, Bypass, Peak Limiting, Linking, and Power on.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eBypass : \u003c\/b\u003eA fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eStereo Linking : \u003c\/b\u003eChannels 1-2 and\/or 3-4 can be stereo linked, where the left channel of the stereo pair becomes the master.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eOperating Level : \u003c\/b\u003eThe operating level of the DL441 can be instantly switched, independently on each channel, for either +4dBu or 10dBu operation using a rear panel push switch.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eInput\/Output :\u003c\/b\u003eThe DL441 is provided with balanced inputs and outputs on XLR connections.\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e","brand":"Drawmer","offers":[{"title":"Default Title","offer_id":42018682994868,"sku":"561019","price":2280.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/561019.jpg?v=1710310587"},{"product_id":"api-a2d","title":"API A2D","description":"\u003cp\u003e\u003cspan\u003eThe first API product with an integrated digital output, the A2D contains a pair of API 312 Mic Preamplifiers that feed an A\/D section with a set of standard digital interface outputs, multiple sample-rate choices and internal or external clock options. Precise control of both the Analog gain and the level feeding the digital section means that the microphone signal may be kept super-clean if desired or driven harder to achieve the warm, punchy \"API sound.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe A2D Analog section consists of the circuitry contained in two 312s, half of that of the popular API 3124+. A level control pot with an expanded 20-segment metering system shows precise mic gain levels, while control switches include polarity, 48v phantom power, input pad, Mic\/Line select and 2:1 transformer routing, which selects a lower gain contribution from output transformer. Each analog input contains a balanced low-Z input XLR connector and a high-Z instrument input on a 1\/4\" jack.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA pair of signature API 312 mic preamplifiers\u003c\/li\u003e\n\u003cli\u003eAPI 2510 \u0026amp; 2520 operational amplifiers\u003c\/li\u003e\n\u003cli\u003e20 Segment LED metering on both analog \u0026amp; digital sections\u003c\/li\u003e\n\u003cli\u003eMic \u0026amp; instrument inputs\u003c\/li\u003e\n\u003cli\u003ePolarity, phantom power, input pad, 2:1 transformer routing, Mic\/Line switches\u003c\/li\u003e\n\u003cli\u003eSix sample rate choices\u003c\/li\u003e\n\u003cli\u003eSync to external Work Clock with feed through BNC\u003c\/li\u003e\n\u003cli\u003eExternal Super Clock input\u003c\/li\u003e\n\u003cli\u003eAbility to be slaved with other A2D units\u003c\/li\u003e\n\u003cli\u003eInsert point provided between analog \u0026amp; digital sections\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"API","offers":[{"title":"Default Title","offer_id":42018686566580,"sku":"565056","price":3977.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/api-a2d-1.jpg?v=1727404090"},{"product_id":"chandler-limited-tg-1","title":"Chandler Limited TG-1","description":"\u003cp\u003eThe Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late 60's. The TG Limiter was originally designed to be like the Fairchild 660\/670 which was loved by many EMI engineers, including Geoff Emerick, but ended up with a very special sound all its own. These rare pieces were never commercially available and only EMI owned studios had access to them. Our version has been remade from the original design information and circuit board drawings as provided by Abbey Road and EMI to ensure extreme authenticity!\u003c\/p\u003e\r\n\u003cp\u003eTG equipment was used on many classic records and this Limiter was featured on every channel of TG consoles used to record The Beatles \"Abbey Road\", several Pink Floyd records including \"Dark Side of the Moon\", Paul McCartney, and the Rolling Stones.\u003c\/p\u003e\r\n\u003cp\u003eThe Limiter\/Compressor features an all discrete circuit with transformer balanced input and output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and squishy sounding while maintaining its clarity and high frequency response.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eTG1 Updates \u0026amp; Modifications:Harmonic Distortion Function-\u003c\/b\u003e\u003cbr\u003eNow standard on all Abbey Road Special Edition TG-1's, this option allows bypassing of the compressor\/limiter threshold but leaves all circuits in the signal path, turning the unit into a powerful Harmonic Distortion generator capable of kicking out up to 2% Total Harmonic Distortion. That's more than 2 times the amount of analog tape! And all with 100% discrete transformer balanced circuits. Adjust the input for amount of THD and the output to match level. Try running Distortion on one channel and hard limiting on the other. The ultimate in retro! This option is placed on the front panel of the unit with a toggle switch for each channel.\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eNew Input Control-\u003c\/b\u003e\u003cbr\u003eAll TG1 units now ship with audio taper input controls. These new pots give better control of the unit at lower amounts of compression, better overall resolution of the limiter, and allows the user to get \"less\" gain reduction from the unit.\u003c\/p\u003e\r\n\u003cp\u003ePrice Includes power supply unit\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":42018734276788,"sku":"497858","price":7529.01,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/chanlimit-tg-1-1.jpg?v=1667939032"},{"product_id":"chandler-limited-germanium-compressor","title":"Chandler Limited Germanium Compressor","description":"\u003cp\u003eThe Germanium series continues with the GERMANIUM Compressor. The GERM Comp starts with the same all class A amp found in the GERM Pre and Tone Control and is transformer balanced in and out. The Compression circuit uses a FET gain reduction element but with the tricks and flexibilty of all the GERM units. Some of the most notable additions include a WET\/DRY mix (for “submixing” tracks within the comp), COMP CURVE (which selects the knee using various diode combinations), CLEAN\/DIRTY COMP, and SIDECHAIN FILTER. Many of the GERM Comp parameters have been purposely set by studio use and listening, not by over analysing them with test gear. The result is a musical powerhouse for ready for tracking, mixing, and mastering.\u003c\/p\u003e\r\n\u003cp\u003ePrice includes power supply unit.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":42018734637236,"sku":"497823","price":3766.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/chanlimit-germ-comp-1.jpg?v=1667939046"},{"product_id":"chandler-limited-germanium-preamp","title":"Chandler Limited Germanium Preamp","description":"\u003cp\u003eChandler's newest series of units starts off with the GERMANIUM pre amp. A completely new design by Chandler Limited designer Wade Goeke that uses classic germanium transistors in all class A, transformer balanced, circuits. The use of germanium devices opens a whole new sound palate not found in any pro audio equipment currently manufactured.\u003c\/p\u003e\n\u003cp\u003eThese incredibly smooth sounding transistors were the basis of the earliest transistor designs by Neve (1053, 1055, 1057), EMI ( TG12345 MKI), Telefunken, and Fairchild. Those familiar with these units can attest to the special sound of the germanium transistor. The GERMANIUM series runs on +40 volt power, high current, and has a huge +34 output before clipping. The sound is warm and smooth as with many vintage style circuits, but you'll find a whole new world of smooth here as well as a sound that settles in perfectly to your tracks without fighting. Add these new circuits to Chandler's new transformer line that combines the best parts of our favorite trannies, St Ives and Gardners, into new great sounding input and output transformers.\u003c\/p\u003e\n\u003cp\u003ePrice includes power supply unit.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":42018737389748,"sku":"497814P","price":2615.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/chanlimit-germ-pre-1.jpg?v=1667939060"},{"product_id":"chandler-limited-tg-channel-mkii","title":"Chandler Limited TG Channel MkII","description":"\u003cp\u003eThe Chandler Limited Channel is a recreation of several classic circuits and combines a TG2 pre amp section with an equalizer that was redesigned from an equalization circuit used in the TG12410 Transfer or mastering console. The mastering counterpart to the original \"Beatles desks\". Our version has been remade using original design information and circuit board drawings as provided by Abbey Road to ensure extreme authenticity! We've even remolded the old TG style pointer knobs.\u003c\/p\u003e\n\u003cp\u003eThe active portions of the unit use the same discrete amplifiers and transformers as in the TG1 Limiter and TG2 pre amp. The passive equalizer portion of the EQ is an all inductor design and offers sweet high frequencies with large inductor based lows, and a very high \"Q\" mid cut section. Designed to sound like a fine musical instrument instead of a modern surgical tool, it's sound is very comparable to Pultec and Lang program eqs but made from TG circuits. A simple description would be a TG Pultec with a TG pre amp thrown in...\u003c\/p\u003e\n\u003cp\u003ePrice includes power supply unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic Pre and DI\u003c\/li\u003e\n\u003cli\u003eControls over input and output levels allows running input hot without overloading the recorder\u003c\/li\u003e\n\u003cli\u003eFlexible EQ section\u003c\/li\u003e\n\u003cli\u003eJuice your productions with bone fide Abbey Road vibe\u003c\/li\u003e\n\u003cli\u003eSo awesome-sounding, your sound is sweetened just by passing through it\u003c\/li\u003e\n\u003cli\u003eSounds like a fine musical instrument - not a modern surgical tool\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":42018738634932,"sku":"497851","price":4992.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/chanlimit-tg-channel-mk2-1.jpg?v=1667939112"},{"product_id":"empirical-labs-el-9-mike-e","title":"Empirical Labs EL-9 Mike-E","description":"\u003cp\u003e\u003cspan\u003eThe EL-9 Mike-E is a high performance transformer-coupled mic preamp with a noise floor far below any microphone’s self noise, combined with a one-of-a-kind compressor\/saturator circuit that delivers classic knee compression as well as versatile tonal ‘coloring’ that can replicate many of the best characteristics of vintage analog recording equipment.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKey features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMicrophone preamp - super low noise transformer input amplifier section with the gain under precise digital control\u003cbr\u003ehe CompSat's unique circuitry sets the Mike-E apart from all other mic preamps.\u003c\/li\u003e\r\n\u003cli\u003eCompSat: \u003cbr\u003eSaturator - multi stage soft-clipping circuit\u003cbr\u003eCompressor - based on ELI’s Distressor, but with other characteristics (including a much longer attack time)\u003cbr\u003eEmphasis - two-stage circuit that boosts and soft clips high frequencies before the CompSat circuit, and then cuts the frequencies after it\u003cbr\u003eMix - provides “parallel compression” technique achieved by mixing between the compressed and the dry (or uncompressed) signal\u003c\/li\u003e\r\n\u003cli\u003eFront panel instrument input that allows the unit to function as an ultra-clean Direct Box and stereo-linking capabilities\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":42018740568244,"sku":"565014","price":2904.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/565014.jpg?v=1710310440"},{"product_id":"joe-meek-sixq2","title":"Joe Meek sixQ2","description":"\u003cp\u003e\u003cspan\u003ePerfect for project and professional studio owners alike, Joemeek's sixQ2 channel strip gives you everything you'd expect from a premium channel strip - and a whole lot more! Everything starts with a clean mic pre that is switchable to a more vintage-styled \"Iron\" setting with special transformer coupling. Next up is the star of the sixQ2 - the legendary Joemeek optical compressor! That's right; the same sound that made Joemeek gear famous is right here inside the sixQ2. There's also a highly musical 3-band EQ to shape your sound on the way to recording. Joemeek pushed it one step further by including both analog and digital I\/O on the back panel.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eKey features:\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eChannel strip with microphone preamplifier, optical compressor \u0026amp; 3-band EQ, with analog \u0026amp; digital outputs\u003c\/li\u003e\r\n\u003cli\u003eIron transformer can be switched in\/out of signal path for two completely different sonic characteristics\u003c\/li\u003e\r\n\u003cli\u003eHighpass filter before compressor circuit prevents it from reacting to extreme low frequencies \u0026amp; making your mix muddy\u003c\/li\u003e\r\n\u003cli\u003eAccepts mic, instrument \u0026amp; line-level sources - a true studio workhorse\u003c\/li\u003e\r\n\u003cli\u003eThird EQ band is switchable between 6kHz\/12kHz to focus on the needs of different sound sources - add \"air\" to vocals, or snap \u0026amp; attack to drums\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Joe Meek","offers":[{"title":"Default Title","offer_id":42018744631476,"sku":"565000","price":1149.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/565000.jpg?v=1710310371"},{"product_id":"manley-vox-box","title":"Manley Vox Box","description":"\u003cp\u003ePrimarily, it is a voice processor which in itself is not a novel idea, but the time had come to pull out all the stops and make a truly professional high-end statement. One that covered the needs of the project songwriters and big-time major studios alike. One whose all-tube signal path could bring every instrument and overdub to life. One that, plain and simple, sounded unquestionably better than the rest, provided flexibility, simplicity, and well thought-out ergonomics.\u003c\/p\u003e\r\n\u003cp\u003eFull of features, timeless style, robust build quality, and that world-famous \"Manley Sound\", we present to you the MANLEY VOXBOX®.\u003c\/p\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":42018744959156,"sku":"497812","price":8041.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/files\/497812.jpg?v=1710310342"},{"product_id":"neve-8801","title":"Neve 8801","description":"\u003cp\u003eThe 8801 is a combined Mic \/ Line \/ Instrument Preamp,with Dynamics processing, EQ and Insert point.The Audio Router function provides a user configurable signal path,allowing any order of Dynamics, EQ, and Insert within the channel path.In addition, the EQ and\/or Filters can be placed in the Dynamics sidechain.\u003c\/p\u003e\r\n\u003cp\u003eThe 8801 Channel Strip is like having a complete channel from the legendary Neve 88R console—widely considered among the best-sounding analogue music consoles ever developed. Contained in a single rackmount unit, the 8801 combines a classic Neve mic preamplifier and equalisation circuitry with an incredible 88R-style dynamics processor. Completely hand-built and hand-wired by Neve in Burnley, England, this ground breaking Channel Strip delivers a front-end with all the quality and versatility that has become synonymous with the Neve name.\u003c\/p\u003e\r\n\u003cp\u003eThe 8801’s signal path consists of our extremely high-quality Neve mic preamp, high and low pass filters, four bands of highly musical equalisation, a compressor, gate, dynamics side chain and an insert point. The order of the signal path can be easily modified as the producer requires.\u003c\/p\u003e\r\n\u003cp\u003eThe filter section and\/or the equalisation section can even be routed to the dynamics side chain to tailor the dynamics response of any input signal. An optional Neve-designed analogue-to-digital converter accommodates all standard sample rates up to 192kHz, as well as direct-to-DSD conversion. In listening tests, many engineers and producers preferred the sound of these Neve-designed converters to standalone converters costing more than the entire 8801 unit.\u003c\/p\u003e\r\n\u003cp\u003eNeve’s proprietary Recall software (Mac- and PC-compatible) allows the 8801 to be seamlessly integrated with workstations, providing instantaneous recall of all external device settings. An essential tool for creativity, Recall combines the flexibility of a computer-based system with the power and sound quality of genuine Neve design. 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A huge proportion of the music you know and love was recorded on SSL, renowned for the superior audio qualities you’ve heard on countless hit records. That elusive sonic ingredient is here in the SSL Alpha Channel.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e Key Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional ultra clean mic preamp with line level \u0026amp; Hi Z instrument input switches\u003c\/li\u003e\n\u003cli\u003e‘Variable Harmonic Drive’ circuit; a Time Machine of distortion characteristics\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter with selectable 40Hz, 80Hz or 120Hz cutoff frequency\u003c\/li\u003e\n\u003cli\u003eBuilt in professional quality Analogue to Digital conversion - as standard\u003c\/li\u003e\n\u003cli\u003eAuto sample rate sensing and self adjustment\u003c\/li\u003e\n\u003cli\u003eThree band SSL parametric EQ with mid freq Q control and dual LF curves\u003c\/li\u003e\n\u003cli\u003eIntelligent auto compression that maximises recording headroom and avoids DAC clipping\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":42018746597556,"sku":"497622-","price":2099.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3537\/2980\/products\/ssl-alpha-channel-strip-1_1.jpg?v=1667939220"},{"product_id":"universal-audio-la-610-mkii","title":"Universal Audio LA-610 MkII","description":"\u003cp\u003e\u003cspan\u003eThe Universal Audio LA-610 MkII combines an all-tube, vintage mic preamp design — heard on classic albums ranging from The Beach Boys’ Pet Sounds to Van Halen I — with authentic Teletronix T4 opto-compression circuitry. 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